The dialogue is full of fortune cookie aphorisms and stilted literary phrases that were never meant to be spoken aloud.
Nearing Grace (2006)
Tomatometer
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Reviews Counted:22
Fresh:10
Rotten:12
Average Rating:5.3/10
Consensus: This coming-of-age story doesn't dig deep enough to offer anything fresh to the genre.
Rated: R [See Full Rating] for drug use, language and sexual content.
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:Oct 13, 2006 Limited
Synopsis: A coming-of-age independent feature film set in late 1970s, NEARING GRACE follows high school senior Henry Nearing (Gregory Smith). Nearing has to cope with the death of his mother, and is also... A coming-of-age independent feature film set in late 1970s, NEARING GRACE follows high school senior Henry Nearing (Gregory Smith). Nearing has to cope with the death of his mother, and is also forced to come to terms with evolving from a self-absorbed and confused adolescent to accepting the responsibilities of early adulthood. Unfortunately his father, Shep (David Morse), and his older brother, Blair (David Moscow), don't offer any kind of guidance, and find themselves detaching at the seams. His father quits his teaching job, buys a motorcycle, and becomes a perpetual drunk, while his brother takes off to live as a transient doper. To make things even more complicated, Henry has two young women on his mind: the sexy, wealthy, and very popular Grace (Jordana Brewster) and childhood friend Merna (Ashley Johnson)--one drives him crazy, the other keeps him sane. Based on the novel of the same name by Scott Somer, NEARING GRACE at times seems to vicariously live through some of the more memorable moments of its coming-of-age predecessors, SOME KIND OF WONDERFUL (1987) and GARDEN STATE (2004). Once the haze of constant pot-smoking clears the characters are relatable and in some instances the scenes are quite heartfelt, although the film isn't much of a stretch for Smith, who is well-known as teen-angst extraordinaire Ephram Brown in the television drama EVERWOOD. But it's Smith's co-stars, Brewster (THE FAST AND THE FURIOUS), Johnson (FAST FOOD NATION), and Morse (DOWN IN THE VALLEY, PROOF OF LIFE) that deliver the emotional leverage needed to expose Henry's pain. [More]
Starring: Gregory Smith, Jordana Brewster, David Morse, Ashley Johnson
Starring: Gregory Smith, Jordana Brewster, David Morse, Ashley Johnson, David Moscow, Chad Faust, Logan Bartholomew, Brian Doyle-Murray
Director: Rick Rosenthal
Director: Rick Rosenthal
Producer: Tracy Underwood
Composer: John E. Nordstrom
Producer: Susan Johnson
Studio: Whitewater Films
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Reviews for Nearing Grace
The tone is psychological realism, as opposed to, say, American Pie-style burlesque. But the main emphasis is on sex and drugs anyway. In any case, it's not very illuminating.
Nearing Grace means to be a gritty look at what it was like to come of age in the late '70s, but its reality is hampered by the unreal pretentiousness of every word the characters utter.
Sucks to be Nearing Grace on the same week that Zerophilia also opens.
A fine coming-of-age drama about a sexually eager young man who discovers that anything is possible with a friend who is loving and trustworthy after years of giving and forgiving.
The performances by Smith, Brewster and veteran David Morse, as a morbidly depressed widower, elevate Nearing Grace to something near grace.
The characters are stereotypes, their situations are familiar and the outcome is predictable. But the whole thing is viewed from such a feel-good perspective that we're willing to overlook much of that.
An unsympathetic lead, a story that's been told a million times (the Scarlett-Ashley/star-crossed lovers story), relationships that don't make sense and an unfamiliarity with basic physics.
The richness of the characters and themes in Nearing Grace inspire director Rick Rosenthal and his cast to create a film with terrific emotional energy and larkish humor.
Bursting with hormones, angst, humor and heartbreak, Rick Rosenthal's Nearing Grace, set during the late 1970's in suburban New Jersey, follows a teenager's efforts to survive both the recent loss of his mother and his senior year of high school.
Some Kind of Wonderful? No, some kind of earnest, stranded adaptation of Nearing Grace, Scott Sommer's late-1970s coming-of-age novel.
...cinematic youth has rarely seemed so convincingly uncertain, and Brewster could definitely drive a young guy crazy.
[It] makes you feel like a heel for not liking it: Independently made and heartfelt, it also happens to have been shot in Portland. Nonetheless, the accumulation of cliches big and small manage to erase whatever goodwill its other features have engendered
Smart, funny and, thanks in no small part to David Geddes' cinematography, it occasionally approaches the poetic.
It feels like perhaps the screenplay was intensely personal and/or autobiographical, yet it's suspiciously lacking in any dramatic tension.
It's also refreshingly low-key and more intelligent than 90% of the movies aimed at the teen crowd. That by itself is a fine achievement.
The teens this time resemble only those processed through TV's feel-good filter.
If we've seen it all before, Nearing Grace's mix of nostalgia and contempt for the follies of youth is a potent one.
The story here is as dog-eared as an old beach book, and about as deep.
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