It's the exact kind of craziness that could only have been made in the waning days of the 1970s.
New York, New York (1977)
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Reviews Counted:20
Fresh:12
Rotten:8
Average Rating:5.9/10
Runtime: 2 hrs 50 mins
Genre: Dramas
Synopsis: Martin Scorsese's NEW YORK, NEW YORK is a sparkling, nostalgic look at the big-band era of the 1940s, as well as the MGM musicals of the 1940s and 1950s. The story concerns Jimmy Doyle (Robert De... Martin Scorsese's NEW YORK, NEW YORK is a sparkling, nostalgic look at the big-band era of the 1940s, as well as the MGM musicals of the 1940s and 1950s. The story concerns Jimmy Doyle (Robert De Niro), an aspiring saxophonist who meets and is at first rejected by singer Francine Evans (Liza Minelli). When they continue to bump into each other, a friendship blossoms, followed by romance, and then marriage. All the while, both musicians struggle to succeed at their craft, which begins to put an unbearable strain on their relationship. Eventually, this weight becomes too heavy to handle, leading the couple into a traumatic separation. Scorsese's obvious love for this era of music--as well as cinema--is overflowing throughout the picture, from the set pieces to the costumes to the musical numbers. Most striking is the brutally realistic depiction of a disintegrating marriage, filmed in a series of long, tense takes. De Niro and Minelli jump headlong into their characters, which results in a film that is a challenging viewing experience but emotionally rewarding to the dedicated viewer. As usual, Scorsese's meticulous visual presentation is flawless, as is the film's soundtrack, which recaptures the big-band era with reverence and passion. [More]
Starring: Liza Minnelli, Robert DeNiro, Lionel Stander, Georgie Auld
Starring: Liza Minnelli, Robert DeNiro, Lionel Stander, Georgie Auld, Mary Kay Place, George Memmoli, Barry Primus, Dick Miller, Diahnne Abbott
Director: Martin Scorsese
Director: Martin Scorsese
Producer: Irwin Winkler, Robert Chartoff
Composer: Ralph Burns
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Reviews for New York, New York
Martin Scorsese created a very handsome and dynamic film, but the spectacular set pieces don't add up to much.
Martin Scorsese's New York, New York never pulls itself together into a coherent whole, but if we forgive the movie its confusions we're left with a good time.
Martin Scorsese attempts to pay tribute to his musical forefathers, specifically Vincente Minnelli, with this colorful, misguided epic.
From a story perspective, nothing happens in the film's 'last act,' but from an emotional perspective, everything happens. Minnelli's performance leaves its peak and soars.
Scorsese's uneven mix of drama and music seems a bit self-indulgent. De Niro's character is totally unsympathetic.
New York, New York never fully comes together as a cohesive picture. Rather, it's a film with many parts that don't gel, much like its fabricated lead characters.
Why should a man of Mr. Scorsese's talent be giving us what amounts to no more than a film buff's essay on a pop-film form that was never, at any point in film history, of the first freshness?
One of the best of all movie musicals, and one of the best of all Scorsese. Extraordinary.
There are some things about it that rub me the right way: it has style, fire in its belly, great visuals and was ahead of its time.
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