...the film ultimately earns a place for itself within the pantheon of effectively stirring romantic tearjerkers.
Nights in Rodanthe (2008)
Tomatometer
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Reviews Counted:126
Fresh:39
Rotten:87
Average Rating:4.7/10
Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $41,840,908
Synopsis: Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life... Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love. [More]
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni, Viola Davis, Mae Whitman
Director: George C Wolfe
Director: George C Wolfe
Screenwriter: Ann Peacock, John Romano
Producer: Denise Di Novi
Composer: Jeanine Tesori
Studio: Warner Bros.
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Reviews for Nights in Rodanthe
A movie that looks and sounds a whole lot bigger than it actually is.
While it may be discerned as more a vehicle for the actors' reunion than a creative gem, the contributive factor to its attractiveness is the chemistry of the match.
Even if you are rooting for this film to succeed, you find yourself sitting through the tear-jerking part of the movie without feeling terribly wrapped up in it.
Nights in Rodanthe is the cinematic equivalent of a Harlequin novel with a pack of tissues shoved into the back cover.
The actors once again work well together, but they should have quit when they were ahead.
Diane Lane and the Tuscan countryside prove to be a more dynamic duo than Diane Lane and the Outer Banks.
I will say this about Nights in Rodanthe: spoken Nicholas Sparks is preferable to written Nicholas Sparks.
Strictly for romantic masochists. Enough tears in the final reel to fill a Hollywood producer's swimming pool.
While not for the cynical or hard-of-heart, Nights in Rodanthe is something of a rarity: a film that puts its characters first.
Something about Diane Lane’s performance, especially in that third act, really got me involved in the film emotionally.
You will get exactly what you are expecting. More or less, in any event. More in the case of the film's heart; less in the case of the last reel, when the storyline and execution dissolves into buckets of schmaltz.
If the story is a dreary one, it is elevated by the star brio of Gere and Lane.
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