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Nights in Rodanthe (2008)
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Reviews Counted:126
Fresh:39
Rotten:87
Average Rating:4.7/10
Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $41,840,908
Synopsis: Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life... Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love. [More]
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni, Viola Davis, Mae Whitman
Director: George C Wolfe
Director: George C Wolfe
Screenwriter: Ann Peacock, John Romano
Producer: Denise Di Novi
Composer: Jeanine Tesori
Studio: Warner Bros.
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Reviews for Nights in Rodanthe
Many critics will no doubt tar this film with the dreaded "Lifetime movie" epithet, but I'd venture a bit further -- Nights in Rodanthe is the world's longest General Foods International Coffee commercial.
perfectly calibrated to jerk tears with the precision of the atomic clock at the U.S. Naval Observatory, and with the irresistible insistence of an industrial grade milking machine
This is one of those unapologetic, tear-jerking romances. There's nothing really wrong with that, but it occasionally lays things on a little thick when it should have been holding back.
'Nights in Rodanthe' serves up too much manipulated sentimentality for my taste, even though I admit being incurably romantic most of the time.
This Windstorms of North Carolina Counties is so overwrought and Harlequin-ed that only the most susceptible of spinsters or inexperienced poetry majors will fall for its faux passions.
Grief is trotted out and cheaply exploited in order to burnish instant love with faux-realism . . . And then the ending--where we're told that we not only can but MUST believe in love, and life, again. Who knew a romance could be so depressingly cynical?
Even if you are rooting for this film to succeed, you find yourself sitting through the tear-jerking part of the movie without feeling terribly wrapped up in it.
Typical Sparks formula: difficult circumstances, unlikely love, delirious joy, gut-wrenching tragedy, and redemptive moral. Unfortunately, this film doesn't deliver the goods.
Indoors, there is elegant if unconvincing emotional drama you can see coming from half a mile down the beach, with very little com to lighten the rom.
Though the leads are attractive. the plot collapses under the weight of its ridiculous circumstances.
You would pretty much have to be sentimental to tolerate such schlock, or at least be willing to check your cynicism at the multiplex door.
Though the stars are likable and attractive, the movie is a melodramatic and soppy affair.
"Nights in Rodanthe" is a passable tearjerker for aging women, but less so for the rest of us.
The story needs rage and poetry and red-blooded sensuality, and we get respectable stodginess.
Just about provides the goods as a romantic weepie but not the best Sparks adaptation.
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