Something about Diane Lane’s performance, especially in that third act, really got me involved in the film emotionally.
Nights in Rodanthe (2008)
Tomatometer
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Reviews Counted:26
Fresh:6
Rotten:20
Average Rating:4.4/10
Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $41,840,908
Synopsis: Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life... Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love. [More]
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni, Viola Davis, Mae Whitman
Director: George C Wolfe
Director: George C Wolfe
Screenwriter: Ann Peacock, John Romano
Producer: Denise Di Novi
Composer: Jeanine Tesori
Studio: Warner Bros.
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Reviews for Nights in Rodanthe
The comparative savvy that Wolfe showed in HBO’s stage-to-TV transfer of Lackawanna Blues has gone missing.
Richard Gere suffers less than Diane Lane. He gets by with a mixture of skill and self-irony. She acts up a storm in every scene, but you root for the hurricane.
What really sells this three-hanky tear-jerker -- and there were a lot of women buying it during a recent screening -- is Lane's steely and vulnerable performance. Like Tinker Bell, she almost made me believe in fairies. Almost.
Though the stars are likable and attractive, the movie is a melodramatic and soppy affair.
No character in this turbulent sea of love crashing on the shores of misfortune is any more developed than they are in Sparks' potboiler.
The movie around Lane and Gere is unreal, a tortured construct, but they open a breathing space in its center.
I can kind-of, sort-of see how this story might work as a novel. Bad dialogue doesn't sound as howlingly awful when not spoken aloud. Idiotic plot contrivances don't seem as painful and obvious.
It's an increasingly rare pleasure to see two naturally aging adults onscreen, and it's not exactly hard work to watch this still-gorgeous pair fall in love. Especially if you're overdue for a little vacation from reality yourself.
Nights in Rodanthe aims straight for the tear ducts as well, but this weepie is a dry well.
The story needs rage and poetry and red-blooded sensuality, and we get respectable stodginess.
This romantic stinker is one of those films in which every plot development becomes a life lesson and every gesture is weighted with significance.
About those Nights in Rodanthe: They're about as steamy as a cup of tea.
There are not enough actual scenes to keep us sufficiently engaged to care about the third-act event that changes their destiny.
It's no wonder the faithful continue to forsake the movies, given junky embarrassments like Nights in Rodanthe.
Rodanthe is a reliably steamy stormy sultry story about Inner Change at the Outer Banks where strangers become intimates.
The movie attempts to jerk tears with one clunky device after another, in a plot that is a perfect storm of cliche and contrivance.
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