provides earnest human connections and palpable heartache.
Nights in Rodanthe (2008)
Tomatometer
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Reviews Counted:126
Fresh:39
Rotten:87
Average Rating:4.7/10
Consensus: Derivative and schmaltzy, Nicholas Sparks' Nights in Rodanthe is strongly mottled by contrivances that even the charisma of stars Diane Lane and Richard Gere can't repair.
Theatrical Release:Sep 26, 2008 Wide
Box Office: $41,840,908
Synopsis: Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life... Diane Lane and Richard Gere team up for the third time (after COTTON CLUB and UNFAITHFUL) for this three-hankie romance based on a Nicholas Sparks novel. Adrienne Willis (Lane) feels her life falling apart around her: her unfaithful husband (Christopher Meloni, LAW & ORDER: SVU) is begging to come home, and her teenage daughter (Mae Whitman, HOPE FLOATS) can't stand to be around her. When her friend (Viola Davis, ANTWONE FISHER) asks her to watch her bed and breakfast in the picturesque town of Rodanthe, Adrienne leaps at the chance to get away. But since it's late in the season, there's only one guest: the handsome Dr. Paul Flanner (Gere), who is quiet about his reason for coming to the town. Driven together by a powerful hurricane, Adrienne and Paul find love and comfort in each other's arms. Cinematic romances between grown-ups are rare, and this finely cast drama will appeal to people who love films like THE BRIDGES OF MADISON COUNTY and other adaptations of Sparks's books, particularly MESSAGE IN A BOTTLE. Gere and Lane are both veterans (who look none the worse for wear), and they have perfected starring in relationship-driven films. But the North Carolina town of Rodanthe deserves plenty of praise as well, since it takes a starring role. Director of photography Affonso Beato (a frequent collaborator with Pedro Almodovar) shoots the beautiful beaches and the welcoming inn with such affection that it's hard not to see it as the perfect place to fall in love. [More]
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni
Starring: Richard Gere, Diane Lane, Scott Glenn, Christopher Meloni, Viola Davis, Mae Whitman
Director: George C Wolfe
Director: George C Wolfe
Screenwriter: Ann Peacock, John Romano
Producer: Denise Di Novi
Composer: Jeanine Tesori
Studio: Warner Bros.
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Reviews for Nights in Rodanthe
For 94 minutes women (at least middle-aged women) can drink in Gere and men (of all ages) can gaze at Lane (whose beauty makes me gasp for air). What's wrong with that?
Fans of weepy romances will dig it; the rest of us would prefer a battle with mutant, killer rats.
Nights in Rodanthe, the latest screen adaptation of a Nicholas Sparks story, is a picture smothered in syrupy excess.
Rodanthe is a reliably steamy stormy sultry story about Inner Change at the Outer Banks where strangers become intimates.
Kept animated by the superior work of the cast, who take the surface mentality of the source material and make it a deeply felt, agreeably tragic romantic experience. Rodanthe is obvious, but it's very effective.
One of this year's most stirring romances, adroitly manipulative, yes, but never condescending.
The movie attempts to jerk tears with one clunky device after another, in a plot that is a perfect storm of cliche and contrivance.
There's nothing like a good tearjerker. Unfortunately, Nights in Rodanthe isn't a good tearjerker, although the characters on-screen shed tears and the movie is pretty jerky.
Nights in Rodanthe is typical Nicholas Sparks fare that has been turned into a tasteful melodrama courtesy of the easy chemistry between its two leads and a generally restrained touch from Tony-winning director George C. Wolfe in his feature debut.
Until movie theaters offer the same comforting, carefree mindset as sand and surf, beach reading won't truly translate to the big screen.
Whiffs on both sentiment and misery. It may be that there's no spark here because there's too much Sparks here.
Redolent of the schmaltziest weepies of a half-century or more ago...strong evidence for the proposition that Nicholas Sparks must have been Fannie Hurst in an earlier life.
Director George C. Wolfe's overly-crafted adaptation of the Nicholas Sparks novel is a bit much. But the two leads are so charismatic that they manage to sell the material far more than it deserves.
There's little room for genuine emotion in this turgid romantic fantasy adapted from a novel by slop-meister Nicholas Sparks.
A ten hanky movie that ends up being just enough to make a nice noose for yourself after sitting through such an inexcusably downer ending.
By no fault of Lane and Gere's, Nights in Rodanthe turns out to be an evening of disappointment at the movies.
The movie version of Nights begins with such promise before it drowns in the romance novelist's syrupy sentimentality.
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