Nicely performed by a strong cast, especially Field and Leibman, it's often mawkishly soft, but surprisingly touching.
Norma Rae (1979)
Tomatometer
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Reviews Counted:19
Fresh:17
Rotten:2
Average Rating:7.5/10
Runtime: 1 hr 57 mins
Genre: Dramas
Synopsis: Set in the industrial South and based on a true story, Martin Ritt's NORMA RAE is a moving portrait of a woman's fight to improve both her own life and the deplorable conditions that exist in the... Set in the industrial South and based on a true story, Martin Ritt's NORMA RAE is a moving portrait of a woman's fight to improve both her own life and the deplorable conditions that exist in the mill where she works. Norma Rae (Sally Field) has worked at the textile mill for years, but when a union organizer from New York comes to town, Norma takes on the hostility of the mill's management and the apathy of her coworkers to try to unionize the mill. Field plays Norma Rae as a passionate woman who realizes her own potential and her need to rebel against the status quo. She is also infuriated by the conditions at the mill. When Norma, uneducated and poor, finally expresses her disgust with life at the mill, it is an electrifying moment, and Field radiates this energy for the rest of the film, providing an emotional core and drive that gives the picture its power. [More]
Starring: Sally Field, Ron Leibman, Beau Bridges, Pat Hingle
Starring: Sally Field, Ron Leibman, Beau Bridges, Pat Hingle, Barbara Baxley, Gail Strickland, Morgan Paull, John Calvin, Booth Colman, Bob Minor, Grace Zabriskie
Director: Martin Ritt
Director: Martin Ritt
Screenwriter: Irving Ravetch, Frank Harriet,
Producer: Tamara Asseyev, Alexandra Rose
Composer: David Shire
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Reviews for Norma Rae
This inspiring movie really connects with our emotions. . . . Sally Field has the meatiest role of her career.
Norma Rae is a seriously concerned contemporary drama, illuminated by some very good performances and one, Miss Field's, that is spectacular.
A beautifully made, splendidly acted film that more than achieves its aims.
Photographed in murky yellows and browns by John Alonzo, this 1979 film is sluggish and vague, trivializing its subject in a wash of unearned sentimentality.
The closure is consistent and satisfying, standing in opposition to conventional Hollywood happy endings: Norma Rae and Jewish labor leader part as equals, with a respectful handshake rather than embrace or kiss; both have benefited from the friendship
Sally Field made us like her, really like her, as the scrappy, titular star of this unionization drama.
Sally Field won her first Oscar for her performance in the title role, a complex portrayal of an working-class southern woman.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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