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Nostalghia (1983)
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Reviews Counted:6
Fresh:4
Rotten:2
Average Rating:7.3/10
Runtime: 2 hrs
Genre: Foreign Films
Synopsis: Director Andrei Tarkovsky recasts his lifelong cinematic motif of humanity's quest for faith in the waterlogged and mist-ensconced countryside of Italy for his philosophical masterpiece NOSTALGHIA.... Director Andrei Tarkovsky recasts his lifelong cinematic motif of humanity's quest for faith in the waterlogged and mist-ensconced countryside of Italy for his philosophical masterpiece NOSTALGHIA. Andrei Gorchakov (Oleg Yankovsky) is a misanthropic Russian scholar researching the life of an exiled Russian composer who committed suicide. With the help of his beautiful guide, Eugenia (Domiziana Giordano), Andrei visits mystical and religious sites on the trail of the late composer's legacy. In the shadow of the doomed composer's memory, Andrei finds himself crippled by a melancholy nostalgia for his Russian homeland, only to discover redemption in the form of a madman, Domenico (Erland Josephson), whom he encounters at St. Catherine's pool, a religious site in Sienna. Domenico, a former professor who once locked his family away for seven years in anticipation of Armageddon, now leads a seemingly insane existence, believing that if he can travel across the pool with a lighted candle, he can save all of humanity. As in his mystical film THE MIRROR, Tarkovsky weaves a dense, mediatative pattern of images--freely mixing past and present, dream and reality, color and black and white, landscape and architecture--with the scholar and the madman acting as allegorical players in a metaphysical trial by fire and water. [More]
Starring: Oleg Yankovsky, Erland Josephson, Domiziana Giordano
Starring: Oleg Yankovsky, Erland Josephson, Domiziana Giordano
Director: Andrei Tarkovsky
Director: Andrei Tarkovsky
Producer: Francesco Casati, Renzo Rossellini, Manolo Bolognini
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Reviews for Nostalghia
A belíssima fotografia, a direção elegante de Tarkovsky e a seqüência da travessia com a vela quase me fizeram esquecer o quão pretensioso, auto-indulgente e prolixo é este filme. Eu disse ‘quase’.
The film ends in light, as through the open circular window of a ruined church the sun shines in.
Instead of excitement, the feeling one gets after seeing Nostalghia is one of utter relaxation that makes us long for the world we left behind in the theater.
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