Not Suitable for Children (2012)
Movie InfoA young playboy who learns he has one month until he becomes infertile sets out to procreate as much as possible.
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Critic Reviews for Not Suitable for Children
The premise sounds like a playpen for vulgarity but Michael Lucas's script is smarter than that.
A film with great characters, laughs and earned emotion, Not Suitable isn't a revolutionary film, but it does what most of its romantic ilk doesn't: it actually works.
Performances are impressive - particularly Snook, who seems destined for greatness - with screenwriter Michael Lucas serving a suitably gentle helping of humour throughout.
Breaking down some stereotypes and making you think about a common issue in an uncommon way, this is a smart little flick, with some top acting and fine humour to boot.
Wonderfully bright, smart, honest look at kidulthood...This energetic and extremely well-acted film manages to avoid the cliches that beset most manch-coms.
The writers have tried too hard to fit these likeable characters into this strange, drawn-out premise.
Despite some contrived plot points (the convenient pay-to-get-in house parties, for one), Not Suitable for Children is more than suitable because it doesn't treat viewers like children.
What lifts this Australian romantic-comedy above the level of most of its Hollywood counterparts is the reality of the characters and the situations and the honesty of the film's approach.
This smart, soulful and surprisingly darkly-hued comedy throws up a handful of interesting questions about personal responsibility.
This is the genre that has made Judd Apatow a 'brand' filmmaker, a contemporary love story with hard edges and patches of vulgar, lowbrow fun. The comparison is meant as a compliment
It's an assured and promising first picture from this writer and director, but if Not Suitable for Children is to be remembered for anything it'll be as the movie that introduced us to Sarah Snook.
The more open-minded viewer...will enjoy a warm, funny, contemporary comedy-drama that will serve the director and, in particular, leading lady Sarah Snook very well.
The film benefits greatly from taking characters and stories down paths you don't expect, but unfortunately this is also the films biggest flaw.
With its unlikeable characters and comedy that is awkward at best, Not Suitable for Children does little for the modern secular family cause.
Audience Reviews for Not Suitable for Children
This Australian movie was lovely. At first it's easy to write the characters off as just being completely irresponsible kids in their 20s, but then the tragedy that happens to the lead character, Ryan Kwanten, brings out the deeper aspects of them all. It was sweet, it was poignant, and it made me chuckle more than once. Not your typical rom-com. Very enjoyable...
Australia has never had the best track record for normal films. Transvesites in a winnebago, check. Bodies in barrels, check. So it shouldn't really be a surprise that a film about a guy's race against infertility should come out of Australia.
When Jonah finds out that the treatment for his testicular cancer will make him sterile, he sets out on a mission to make a baby before his time runs out.
Such a subject isn't the easiest to stretch out over an hour and a half, so it's a tribute to writers Michael Lucas and Peter Templeman that the film is constantly charming with a wry sense of humour and sarcasm, executed brilliantly by the three leads. The writers have also nailed the characters here, as each of them could easily be locked up in their own stereotypes, but instead are real and layered with hidden depths. Jonah in particular could easily come off as unlikeable after his funny moron schtick wears off, but instead his character imbues the movie with a childlike innocence, despite its initially crude subject matter. Templeman also has a keen ear for every day conversation and the awkward intricacies it brings. Some of the film's funniest moments are in the cringe-worthy conversations between a guy who needs to find someone who wants a kid immediately and his confused subject. At its centre, however, the film is a romantic comedy, and Templeman never forgets to focus on the real relationships developing behind the babymaking farce. The main romance never feels unrealistic or cheaply found. Instead, the two characters grow together naturally through their own developments as characters and understanding of themselves.
Making these characters a reality is a fantastic cast who are perfect for each of their roles. At the front of the pack is Ryan Kwanten. Most people will know the Aussie star from True Blood but he has kept returning home to make independent, cleverly strange films like Griff the Invisible. Here, his Jonah has touches of Jason Stackhouse's stupidity but he's such a likeable guy that he's instantly endeared to the audience. His journey from aloof playboy to earnest adult is forced upon him at first, but by the end of the film he has made the journey in his own right. It's a performance which you can't help but like thanks to Kwanten's great comedic sensibility and an ability to convey a vulnerability and depth in what could easily be a shallow, unlikeable character. His counterpart, Sarah Snook, is more than a match for Jonah as the sarcastic Stevie. She's always the first one to point out the stupidity of a situation and bring a little sanity to the works. However, her sense of humour makes it tough for her to connect with others emotionally, something which Snook displays perfectly. Her awkward manouvering through a real conversation is as touching as it is funny. Ryan Corr provides even more to the comic relief side of things as Gus, the housemate constantly in the dark, constantly on the very edge of knowing what's going on. Other performances from Bojana Novakovic, Alice Parkinson and Laura Brent are welcome additions to an already great cast.
Almost a member of the cast in its own right is the soundtrack. Full of an eclectic mix of party tracks and subtler, softer choices, the music does a great deal to heighten the film while also working in the crux of each scene.
Peter Templeman's direction is a cut above your average indy film: confidently restrained, cleverly dynamic and unafraid of earnest emotion. He handles every beat of the film with the flair of someone who doesn't even realise this is their debut feature. Having written the script, Templeman very clearly understands his subject matter and his characters and, more importantly, how to convey this through his direction. Whether it's an incisive close-up during a key moment for a character or tracking an oblivious Jonah through a pulsing crowd, Templeman adds a mood and a beauty to his film through his camera.
Australia can either make very good films or very bad films. For every Animal Kingdom there's going to be a Bait to follow it up. Not Suitable for Children wobbles a little throughout, but it ends firmly in the good column.
The cringe-worthy hilarity of an arrangement with a lesbian couple.
I enjoy a good romantic comedy once on a while. The Australian film industry hasn't done much to make a genuine, funny or exceptional film in the genre. But hearing good things about this film drew me to it, and as a romantic comedy/or not it works. Its the thrid film Ryan Kwantan has made in Australia for years now (after Red Hill and Griff The Invisible), and the debut feature for director Peter Templeman. The Story is about some playboy who finds out he has testicular cancer, so he decides he quickly needs to have a child at this time before he can have treatment. Kwantan will always seem to entertain me on any level throughout his career. But I must mention actress Sarah Snook really steals the show hereproving she someone to have a high profile in the future. The film is actually really funny and charming and will be able to beat any rom com I'll see for a while. The rest of the cast is really good along with the character development and smart script. Its one film I do highly recomend people to see, You'll get what you want!
This is the first time I've seen Ryan Kwanten in a movie. Much like in Tru Blood, he plays an overtly good looking dummy who has lots of sex and parties all the time. But...he is smarter.
In fact, the script may seem like it'll plummet into vulgarity and sex 24/7 and nudity after the party scene to start, but it doesn't. It actually delivers a likable love story about a guy who is looking for a woman to bear his children before he has surgery to make him infertile. I though Bojana Novakovic looked exactly like Emma Stone. She is the Australian version hands down. Just as beautiful playing the part of roommate/love interest well. The story outcome isn't hard to see, but sometimes these movies just require you to sit and enjoy the ups and downs
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