In order to propel circumstances to a conclusion, Notes on a Scandal relies upon a contrivance so ugly and obvious that it's impossible to ignore.
Notes on a Scandal (2006)
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Reviews Counted:165
Fresh:143
Rotten:22
Average Rating:7.5/10
Consensus: In this sharp psychological thriller, Judi Dench and Cate Blanchett give fierce, memorable performances as two schoolteachers locked in a battle of wits.
Runtime: 2 hrs 1 min 20 secs
Genre: Dramas
Theatrical Release:Dec 25, 2006 Limited
Box Office: $17,394,784
Synopsis: Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara... Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara Covett (Dench), a hard-nosed spinster schoolteacher, and her poisonous friendship with fellow teacher Sheba Hart (Blanchett). When the young and beautiful Sheba shows up as the new art instructor, everyone is charmed by her, including the embittered Barbara. Barbara is thrilled when her lonely life is shaken up by Sheba's overtures of friendship, as Sheba invites her to share in family dinners, and opens up to her about her marital troubles and personal longing. Barbara narrates her own feelings of longing to us from her meticulous diaries, and it becomes increasingly clear that her take on the friendship is uncomfortably intense, if not borderline delusional. Things reach a fever pitch when Barbara happens upon Sheba dallying in the art room with a 15-year-old student. She tells Sheba that she must end the affair at once, but decides not to report her to the school, and instead, to use her knowledge of the indiscretion to draw Sheba closer to her, and put her in her debt. But when Barbara's demands on Sheba become too high, things soon unravel, setting off a chain of events that will leave viewers chewing their nails to the quick, but unable to tear their eyes away. Both Blanchett and Dench are dazzling to watch as they deftly handle the barbed wit of Patrick Marber's screenplay. Directed by Richard Eyre of the Northern Theatre of London, and with a score by Philip Glass, NOTES ON A SCANDAL takes what could serve as mere tabloid fodder and plays it out on the level of Shakespearean tragedy. [More]
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson, Philip Davis, Michael Maloney, Juno Temple, Max Lewis, Julia McKenzie
Director: Richard Eyre
Director: Richard Eyre
Screenwriter: Patrick Marber
Producer: Scott Rudin, Robert Fox
Composer: Philip Glass
Studio: Fox Searchlight Pictures
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Reviews for Notes on a Scandal
Note to self: accept no British imports trying to be American trash.
Dench's coup de grace of trying to get Blanchett to comfort her over her dying 'pussycat' reads no differently than the ridiculous requests Kramer made to Seinfeld after giving him his blood.
Judi Dench and Cate Blanchett star in a misanthropic game of cat and mouse from which no one emerges unscathed, including saps like us who think we're watching a film about other people.
Revelations abound, confidences are shared, and tempers flare -- until, by the climax, Notes on a Scandal seems awfully redolent of one of those Bette Davis/Joan Crawford bitch-fights in What Ever Happened to Baby Jane?
[I]n desperate need of a sense of humor, because only a healthy dollop of To Die For style irony could have saved the material.
Dench is nothing less than great in this role. It's hard to recall a recent performance of such unrelenting ferocity, such a thoroughgoing devotion to the domination of another life.
The characters' motives are base enough, and there's an odd combination of petty incidents having walloping consequences, but the ironies are as delicately layered and "delicious" as they could possibly be without a hint of preciosity.
Dramatic overstatement saturates just about every piece of this production. Even that master of orchestral pop minimalism, Philip Glass, managed to write a score that slinks into the dark shadows of old gothic witchery.
Smart and brash, it's a picture Bette Davis and Joan Crawford would have killed (preferably each other) to be in.
This wicked comedy from Brit director Richard Eyre and screenwriter Patrick Marber could have been called The Prime of Miss Butch Brodie. This is a nasty, nasty movie -- every wonderful moment of it.
Notes on a Scandal is both dramatic and funny thanks to an incisive script by Patrick Marber (Closer), with Dame Judi Dench and Cate Blanchett delivering performances that are memorable and exhilarating.
What in Zoe Heller’s novel, upon which the film is based, served as a subtle undercurrent here is hammered upon to a desperate degree. Exacerbating the film’s ill-suited film noir-ish tone is Philip Glass’ intrusive score.
'Notes on a Scandal' is a memorable portrait of self-destruction. And, believe me, it's not a pretty sight.
The movie serves as a convenient locale for Dench and Blanchett to showcase their abilities, but it could be more involving.
Notes on a Scandal is melodrama at its best -- a nasty, wickedly good, over-the-top story with school teachers standing in where vampires usually prowl.
In making the leap this holiday season from a Dame to a Broad, Judi Dench has chosen to apply her inestimable talents to a tried and true fork in the thespian road.
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