This compact, fierce and frightening domestic thriller is the most violent film in many a day. The rage is in the angry words, the deepest thoughts of its 'heroine,' and the fear about what might come from those words is palpable.
Notes on a Scandal (2006)
Tomatometer
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Reviews Counted:165
Fresh:143
Rotten:22
Average Rating:7.5/10
Consensus: In this sharp psychological thriller, Judi Dench and Cate Blanchett give fierce, memorable performances as two schoolteachers locked in a battle of wits.
Runtime: 2 hrs 1 min 20 secs
Genre: Dramas
Theatrical Release:Dec 25, 2006 Limited
Box Office: $17,394,784
Synopsis: Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara... Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara Covett (Dench), a hard-nosed spinster schoolteacher, and her poisonous friendship with fellow teacher Sheba Hart (Blanchett). When the young and beautiful Sheba shows up as the new art instructor, everyone is charmed by her, including the embittered Barbara. Barbara is thrilled when her lonely life is shaken up by Sheba's overtures of friendship, as Sheba invites her to share in family dinners, and opens up to her about her marital troubles and personal longing. Barbara narrates her own feelings of longing to us from her meticulous diaries, and it becomes increasingly clear that her take on the friendship is uncomfortably intense, if not borderline delusional. Things reach a fever pitch when Barbara happens upon Sheba dallying in the art room with a 15-year-old student. She tells Sheba that she must end the affair at once, but decides not to report her to the school, and instead, to use her knowledge of the indiscretion to draw Sheba closer to her, and put her in her debt. But when Barbara's demands on Sheba become too high, things soon unravel, setting off a chain of events that will leave viewers chewing their nails to the quick, but unable to tear their eyes away. Both Blanchett and Dench are dazzling to watch as they deftly handle the barbed wit of Patrick Marber's screenplay. Directed by Richard Eyre of the Northern Theatre of London, and with a score by Philip Glass, NOTES ON A SCANDAL takes what could serve as mere tabloid fodder and plays it out on the level of Shakespearean tragedy. [More]
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson, Philip Davis, Michael Maloney, Juno Temple, Max Lewis, Julia McKenzie
Director: Richard Eyre
Director: Richard Eyre
Screenwriter: Patrick Marber
Producer: Scott Rudin, Robert Fox
Composer: Philip Glass
Studio: Fox Searchlight Pictures
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Reviews for Notes on a Scandal
Notes on a Scandal builds creepy suspense, abetted by the repetitively gripping Philip Glass score. The film doesn't quite deliver the powerhouse finale I would have liked, though the memory lingers of these sad women and their desperate behavior.
The sheer force and fearlessness of Dench's performance is something to behold, as Barbara's deeply ingrained class and personal resentments mix with a discomfiting neediness.
Crackles with venomous dialogue. ... Every word slices both ways, wounding the one wielding it as much as the one hearing it.
Revelations abound, confidences are shared, and tempers flare -- until, by the climax, Notes on a Scandal seems awfully redolent of one of those Bette Davis/Joan Crawford bitch-fights in What Ever Happened to Baby Jane?
Apart from its devilish tone, Notes on a Scandal also has some interesting things to say about what constitutes a relationship.
Think of it as Masterpiece Theatre filtered through Days of Our Lives.
While Glenn Close played her Fatal Attraction character's 'I will not be ignored' psycho-obsession out front and out loud, Dench does it as subtext, making it all the more insidious, frightening ... and fascinating.
Dench is a perfect iceberg, relaying her lines with a smug wit, her eyebrows slanted up like daggers of condescension. When photographed in close-up, she’s the very picture of ghostly wickedness. Hate her or pity her -- you can’t forget her.
Oscar voters, take note: Notes on a Scandal contains two of the best female performances of 2006.
In England, it seems, actresses have nothing to fear from age. They can simply wait for writers to create fresh work for them.
Patrick Marber's adaptation of the Zoë Heller novel improves upon the promise of the [Dench/Blanchett] pairing with a story that wastes no time on preliminaries as it descends -- gleefully -- into pitch-black comedy.
Notes on a Scandal emerges as a remarkable character study: difficult to watch, impossible to look away.
Though [Dench's character's] actions are cruel, they are brilliantly, memorably so -- executed with a twisted genius worthy of Iago.
Notes on a Scandal packs more heat, acid, danger and drama into its brief running time than most films of nearly double the length.
Notes on a Scandal's resolution is a bit less challenging than the finale of Heller's novel, but for the most part it's equally scathing, a nasty little peek into the worst of human behavior.
Dramatic overstatement saturates just about every piece of this production. Even that master of orchestral pop minimalism, Philip Glass, managed to write a score that slinks into the dark shadows of old gothic witchery.
Almost unbearably tense as the relationship between cat and mouse takes completely unexpected, if completely believable, turns.
Notes on a Scandal may not always be deeply illuminating, but [director Richard] Eyre adds enough pathos and emotional realism to keep the movie from curdling into a snide joke.
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