Sexy, aspirational and post-politically correct, Notes on a Scandal could turn out to be the Fatal Attraction of the oughties.
Notes on a Scandal (2006)
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Reviews Counted:165
Fresh:143
Rotten:22
Average Rating:7.5/10
Consensus: In this sharp psychological thriller, Judi Dench and Cate Blanchett give fierce, memorable performances as two schoolteachers locked in a battle of wits.
Runtime: 2 hrs 1 min 20 secs
Genre: Dramas
Theatrical Release:Dec 25, 2006 Limited
Box Office: $17,394,784
Synopsis: Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara... Dame Judi Dench and Kate Blanchett face off with searing performances in this riveting tale of obsession and desire. Based on the novel by Zoe Heller, NOTES ON A SCANDAL is the story of Barbara Covett (Dench), a hard-nosed spinster schoolteacher, and her poisonous friendship with fellow teacher Sheba Hart (Blanchett). When the young and beautiful Sheba shows up as the new art instructor, everyone is charmed by her, including the embittered Barbara. Barbara is thrilled when her lonely life is shaken up by Sheba's overtures of friendship, as Sheba invites her to share in family dinners, and opens up to her about her marital troubles and personal longing. Barbara narrates her own feelings of longing to us from her meticulous diaries, and it becomes increasingly clear that her take on the friendship is uncomfortably intense, if not borderline delusional. Things reach a fever pitch when Barbara happens upon Sheba dallying in the art room with a 15-year-old student. She tells Sheba that she must end the affair at once, but decides not to report her to the school, and instead, to use her knowledge of the indiscretion to draw Sheba closer to her, and put her in her debt. But when Barbara's demands on Sheba become too high, things soon unravel, setting off a chain of events that will leave viewers chewing their nails to the quick, but unable to tear their eyes away. Both Blanchett and Dench are dazzling to watch as they deftly handle the barbed wit of Patrick Marber's screenplay. Directed by Richard Eyre of the Northern Theatre of London, and with a score by Philip Glass, NOTES ON A SCANDAL takes what could serve as mere tabloid fodder and plays it out on the level of Shakespearean tragedy. [More]
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson
Starring: Cate Blanchett, Judi Dench, Bill Nighy, Andrew Simpson, Philip Davis, Michael Maloney, Juno Temple, Max Lewis, Julia McKenzie
Director: Richard Eyre
Director: Richard Eyre
Screenwriter: Patrick Marber
Producer: Scott Rudin, Robert Fox
Composer: Philip Glass
Studio: Fox Searchlight Pictures
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Reviews for Notes on a Scandal
How about bestowing the year's most-overrated tag on Notes on a Scandal, an over-the-top melodrama that takes Zoe Heller's first-rate page-turner and transforms it into something that's neither here nor there.
The film itself settles for one level of pulp satisfaction, but Dench and Blanchett transcend it.
It is a chilling, memorable performance by Dame Judith, who will earn many award nominations, as should Blanchett. They are the perhaps the most impressive acting duo in any film of 2006. And Bill Nighy is their equal.
You'll want to take a shower after Notes on a Scandal, but you'll be glad you got dirty.
Dench's coup de grace of trying to get Blanchett to comfort her over her dying 'pussycat' reads no differently than the ridiculous requests Kramer made to Seinfeld after giving him his blood.
...Dench single-handedly turns this unassuming domestic drama into a queasy thriller.
If you don't already worship at the Church of Judi Dench, Notes on a Scandal may be the film that causes your conversion.
Just to see Cate Blanchett bitchslap Judi Dench is worth the price of admission.
The ferocious acting turns the movie into a tense emotional landslide, articulating the confining terror of a life lived inside one's own head.
A riveting and disturbing drama about the friendship between two women and the desperate things loneliness will drive us to do.
It's a grand thing to watch these two Academy Award winners, who easily could be back in Oscar contention with this film, have at each other.
What in Zoe Heller’s novel, upon which the film is based, served as a subtle undercurrent here is hammered upon to a desperate degree. Exacerbating the film’s ill-suited film noir-ish tone is Philip Glass’ intrusive score.
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