This Musique sings.
Notre Musique (2004)
Tomatometer
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Reviews Counted:53
Fresh:35
Rotten:18
Average Rating:6.6/10
Consensus: A dense, but thoughtful meditation about war by Jean-Luc Godard.
Theatrical Release:Nov 24, 2004 Limited
Box Office: $33,201
Synopsis: French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The... French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The first segment, Hell, is a breathtaking visual montage that captures the cruelty and brutality of battle. Next comes Purgatory. Set in postwar, modern-day Sarajevo, this chapter of the film finds Godard at his most philosophical. Godard himself appears as a lecturer at a cultural conference, in which he points out, through a photographic presentation, the similarities between such seemingly opposite groups as the Israelis and Palestinians. Meanwhile, a young Israeli student (Sarah Adler) searches for answers of her own by taking photographs and interviewing various individuals about the concept of power. Another young woman, Olga (Nade Dieu), shows her disdain for the Israeli/Palestinian conflict by performing an act of defiance that leads to the film's third and final segment, Paradise, in which Olga finds herself on the other side of consciousness. NOTRE MUSIQUE is an expression of frustration with the violence in the world. The opening montage recalls Godard's experimental work from the 1970s, while the middle segment features the same literate, philosophical musings that have been with Godard since day one. Meanwhile, the closing vision of paradise brings to mind his audacious films from the late-1960s (WEEKEND, SYMPATHY FOR THE DEVIL). NOTRE MUSIQUE is the work of a genius who is still at the top of his game. This film was included in the 42nd New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Producer: Alain Sarde, Ruth Waldburger
Studio: Wellspring
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Reviews for Notre Musique
A refreshingly moving, relatively easy-to-follow guide to the persistence of mankind's barbarism and our equally dogged hope to achieve some kind of reconciliation before the last light is stomped out.
Hardly a director alive possesses Godard's eye for dynamic, inner-lit old-masterly compositions.
Jean-Luc Godard has another movie out...and we all know what that means.
The 73 year-old enfant terrible can still take society to task for failing to recognise that it's our dualities that enrich life rather than any fanciful notions of global unity.
Visually sublime and intellectually dense, this is one of the extremely rare movies that prove cinema can be as complex and profound as the very greatest art works in any form.
Too abstract and lacking in a moral compass to be going anywhere that was real.
This film, which awakens your inner philosopher and encourages it to breathe, may not be an experience for everyone; if only it were.
Patience and curiosity help to reveal its heartfelt, hypnotic and richly poetic musings as serving as both a cry for help and an act of hope.
Godards' brilliant Our Music, this year's shortest but densest film, offers an intellectual-poetic meditation about war seen through dialectics of text and image.
Our Music presents Jean-Luc Godard's audacious meditation on war, violence, terrorism, victims and the truth that lies in the play of opposites.
The rueful work of a man who once fell hard for simplistic, murderous politics and has come to see his mistake.
Notre Musique's wistful mischief and gentle provocations will keep mind and soul humming long after you've carried them out of the darkened theater.
Too touchy-feely for some hardcore Godardians, Notre Musique is the most lucid of the master's recent films.
Jean-Luc Godard returns with another of his extraordinary, heated, agitated essay films.
Packs more thoughts and ideas into any two minutes than most movies have at all.
Though Godard has often mixed avant-garde technique with conventional narrative in the past, here there’s a firm line dividing the two modes from one another, and it makes the film much more cohesive, but a bit less intoxicating.
Jean-Luc Godard has had a tendency to be combative and obscure. He's a lot calmer and steadier in his latest feature.
Godard forces us to see the recognizable anew, opening our minds (our music) with juxtapositions of history.
This intellectually scintillating think-piece from the eternally relevant Jean-Luc Godard finds Hell and Purgatory right here on our sorry, scorched earth.
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