Jean-Luc Godard returns with another of his extraordinary, heated, agitated essay films.
Notre Musique (2004)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:53
Fresh:35
Rotten:18
Average Rating:6.6/10
Consensus: A dense, but thoughtful meditation about war by Jean-Luc Godard.
Theatrical Release:Nov 24, 2004 Limited
Box Office: $33,201
Synopsis: French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The... French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The first segment, Hell, is a breathtaking visual montage that captures the cruelty and brutality of battle. Next comes Purgatory. Set in postwar, modern-day Sarajevo, this chapter of the film finds Godard at his most philosophical. Godard himself appears as a lecturer at a cultural conference, in which he points out, through a photographic presentation, the similarities between such seemingly opposite groups as the Israelis and Palestinians. Meanwhile, a young Israeli student (Sarah Adler) searches for answers of her own by taking photographs and interviewing various individuals about the concept of power. Another young woman, Olga (Nade Dieu), shows her disdain for the Israeli/Palestinian conflict by performing an act of defiance that leads to the film's third and final segment, Paradise, in which Olga finds herself on the other side of consciousness. NOTRE MUSIQUE is an expression of frustration with the violence in the world. The opening montage recalls Godard's experimental work from the 1970s, while the middle segment features the same literate, philosophical musings that have been with Godard since day one. Meanwhile, the closing vision of paradise brings to mind his audacious films from the late-1960s (WEEKEND, SYMPATHY FOR THE DEVIL). NOTRE MUSIQUE is the work of a genius who is still at the top of his game. This film was included in the 42nd New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Producer: Alain Sarde, Ruth Waldburger
Studio: Wellspring
Get This Movie
Reviews for Notre Musique
Packs more thoughts and ideas into any two minutes than most movies have at all.
Lovers of cinema will like it for its insights into the melding of text and images, and it will find a broader audience for its contribution to the debate on modern war.
Our Music presents Jean-Luc Godard's audacious meditation on war, violence, terrorism, victims and the truth that lies in the play of opposites.
It's the first Godard film in years that hasn't made me want to rip out handfuls of my hair and then jump out a window. Does that count as a comeback?
An intensely felt, quietly beautiful elegy to 20th-century Europe -- to the Europe of wars -- and to the human need to create enemies.
Jean-Luc Godard has another movie out...and we all know what that means.
Structured like the Divine Comedy, Jean-Luc Godard's new film is a journey through hell and purgatory in search of a paradise.
Godard establishes then subverts his clean, mirrored construction with an array of fascinating ideas that attempt to understand symbiotic but unequal relationships.
My review summed up in three parts: war is bad, nature is good, and Godard is senile. If this is our music, somebody needs to get a better soundtrack.
Director Jean-Luc Godard, the enfant terrible of the French New Wave, is now in his mid-seventies, yet he's lost none of his desire to challenge an audience.
Patience and curiosity help to reveal its heartfelt, hypnotic and richly poetic musings as serving as both a cry for help and an act of hope.
This intellectually scintillating think-piece from the eternally relevant Jean-Luc Godard finds Hell and Purgatory right here on our sorry, scorched earth.
Godard has made a film whose title translates into Our Music, but he fails to realize that the band is playing only for him.
Godard locates the heart of the world in that divide, that moral schism. The movie then asks, without answering, Can it ever be repaired?
Though Godard has often mixed avant-garde technique with conventional narrative in the past, here there’s a firm line dividing the two modes from one another, and it makes the film much more cohesive, but a bit less intoxicating.
Too touchy-feely for some hardcore Godardians, Notre Musique is the most lucid of the master's recent films.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Notre Musique at Rotten Tomatoes
- Notre Musique at AskMen
Fresh Links
Featured

MSN Movies offers a little background on the success of Disney Animation.

TIME takes a look back at the history of vampires on film.

Techland examines the visual splendor of Peter Jackson's upcoming film.

AOL put together a list of 10 recent news items that would be perfect as TV Movies.

Hollywood.com's C. Robert Cargill explores how remakes and reboots have warped our thinking.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


