Notre Musique (2004)
Tomatometer
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Reviews Counted:53
Fresh:35
Rotten:18
Average Rating:6.6/10
Consensus: A dense, but thoughtful meditation about war by Jean-Luc Godard.
Theatrical Release:Nov 24, 2004 Limited
Box Office: $33,201
Synopsis: French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The... French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The first segment, Hell, is a breathtaking visual montage that captures the cruelty and brutality of battle. Next comes Purgatory. Set in postwar, modern-day Sarajevo, this chapter of the film finds Godard at his most philosophical. Godard himself appears as a lecturer at a cultural conference, in which he points out, through a photographic presentation, the similarities between such seemingly opposite groups as the Israelis and Palestinians. Meanwhile, a young Israeli student (Sarah Adler) searches for answers of her own by taking photographs and interviewing various individuals about the concept of power. Another young woman, Olga (Nade Dieu), shows her disdain for the Israeli/Palestinian conflict by performing an act of defiance that leads to the film's third and final segment, Paradise, in which Olga finds herself on the other side of consciousness. NOTRE MUSIQUE is an expression of frustration with the violence in the world. The opening montage recalls Godard's experimental work from the 1970s, while the middle segment features the same literate, philosophical musings that have been with Godard since day one. Meanwhile, the closing vision of paradise brings to mind his audacious films from the late-1960s (WEEKEND, SYMPATHY FOR THE DEVIL). NOTRE MUSIQUE is the work of a genius who is still at the top of his game. This film was included in the 42nd New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Producer: Alain Sarde, Ruth Waldburger
Studio: Wellspring
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Reviews for Notre Musique
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Godard establishes then subverts his clean, mirrored construction with an array of fascinating ideas that attempt to understand symbiotic but unequal relationships. Full Review |
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This intellectually scintillating think-piece from the eternally relevant Jean-Luc Godard finds Hell and Purgatory right here on our sorry, scorched earth. Full Review |
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The 73 year-old enfant terrible can still take society to task for failing to recognise that it's our dualities that enrich life rather than any fanciful notions of global unity. Full Review |
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Jean-Luc Godard's unfathomable influence on filmmaking has allowed him to enjoy a kind of grandfather clause in recent years. Full Review |
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Jean-Luc Godard returns with another of his extraordinary, heated, agitated essay films. Full Review |
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Godard attempts to paint modern Europe as Dante's various circles of Hell -- but one fears he has lost 90 percent of the audience in the first 10 minutes Full Review |
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Director Jean-Luc Godard, the enfant terrible of the French New Wave, is now in his mid-seventies, yet he's lost none of his desire to challenge an audience. Full Review |
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This film, which awakens your inner philosopher and encourages it to breathe, may not be an experience for everyone; if only it were. Full Review |
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My review summed up in three parts: war is bad, nature is good, and Godard is senile. If this is our music, somebody needs to get a better soundtrack. Full Review |
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There's plenty here to unpack, most of it regarding modern malaise, and the rewards are proportionate to the amount of work you want to put in. Full Review |
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Marries a banal message with a directorial technique that's now more sclerotic than innovative. Full Review |
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Too abstract and lacking in a moral compass to be going anywhere that was real. Full Review |
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Fractured, dense, opaque and demanding in a way that few other filmmakers would dare to make it. Full Review |
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An impenetrably ponderous, smarty-pants rumination on war (among other things), the very sort of film for which the term 'artsy-fartsy' was devised. Full Review |
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It's the first Godard film in years that hasn't made me want to rip out handfuls of my hair and then jump out a window. Does that count as a comeback? Full Review |
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plays out as a series of dry pronouncements from intellectuals. But Godard has not lost his taste for experimentation. Full Review |
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Patience and curiosity help to reveal its heartfelt, hypnotic and richly poetic musings as serving as both a cry for help and an act of hope. Full Review |
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