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Notre Musique

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Notre Musique (2004)

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Reviews Counted:53

Fresh:35

Rotten:18

Average Rating:6.6/10

Consensus: A dense, but thoughtful meditation about war by Jean-Luc Godard.

Rated: Not Rated

Runtime: 80 mins

Genre: Dramas

Theatrical Release:Nov 24, 2004 Limited

Box Office: $33,201

Synopsis: French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The... French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The first segment, Hell, is a breathtaking visual montage that captures the cruelty and brutality of battle. Next comes Purgatory. Set in postwar, modern-day Sarajevo, this chapter of the film finds Godard at his most philosophical. Godard himself appears as a lecturer at a cultural conference, in which he points out, through a photographic presentation, the similarities between such seemingly opposite groups as the Israelis and Palestinians. Meanwhile, a young Israeli student (Sarah Adler) searches for answers of her own by taking photographs and interviewing various individuals about the concept of power. Another young woman, Olga (Nade Dieu), shows her disdain for the Israeli/Palestinian conflict by performing an act of defiance that leads to the film's third and final segment, Paradise, in which Olga finds herself on the other side of consciousness. NOTRE MUSIQUE is an expression of frustration with the violence in the world. The opening montage recalls Godard's experimental work from the 1970s, while the middle segment features the same literate, philosophical musings that have been with Godard since day one. Meanwhile, the closing vision of paradise brings to mind his audacious films from the late-1960s (WEEKEND, SYMPATHY FOR THE DEVIL). NOTRE MUSIQUE is the work of a genius who is still at the top of his game. This film was included in the 42nd New York Film Festival organized by the Film Society of Lincoln Center. [More]

Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer

Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer

Director: Jean-Luc Godard

Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Producer: Alain Sarde, Ruth Waldburger
Studio: Wellspring

[See More Credits]

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Release:

May 17, 2005

No Details Exist
 
 

Reviews for Notre Musique

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21 - 40 (sorted by date)
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Hardly a director alive possesses Godard's eye for dynamic, inner-lit old-masterly compositions.

Full Review Source: Philadelphia Inquirer | comment Comment
02/24/05
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
Top Critic Icon Top Critic

If film is an art, it's because it's possible for somebody to make films like this.

Full Review Source: Oregonian | comment Comment
02/18/05
Shawn Levy
Shawn Levy
Oregonian

This tiresome series of ruminations on the meaning of existence, as well as man's inhumanity to man, demonstrates that Godard is still stuck in the same groove, that he makes the same movie over and over again.

Full Review Source: Deseret News, Salt Lake City | comment Comment
02/18/05
Jeff Vice
Jeff Vice
Deseret News, Salt Lake City

The result is, alas, more an illustrated lecture than illuminating insight, a little chunk of purgatory for all but the most diehard of Godard's fans.

Full Review Source: Salt Lake Tribune | comment Comment
02/18/05
Sean Means
Sean Means
Salt Lake Tribune

Godard has become a nonsensical rambler whose vision surpasses his reach.

Full Review Source: Arizona Daily Star | comment Comment
02/10/05
Phil Villarreal
Phil Villarreal
Arizona Daily Star

Jean-Luc Godard has another movie out...and we all know what that means.

Full Review Source: ToxicUniverse.com | comment Comment
01/31/05
Dan Callahan
Dan Callahan
ToxicUniverse.com

Jean-Luc Godard has had a tendency to be combative and obscure. He's a lot calmer and steadier in his latest feature.

Full Review Source: Chicago Reader | comment Comment
01/28/05
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

A lumpy mix of real-life and fictional events that shows age hasn't diminished the famed filmmaker's zeal to experiment.

Full Review Source: San Francisco Chronicle | comment Comment
01/28/05
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
Top Critic Icon Top Critic

Packs more thoughts and ideas into any two minutes than most movies have at all.

Full Review Source: Combustible Celluloid | comment Comment
01/27/05
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

It will mean much more to those familiar with his work. But those moviegoers will experience intense pleasure in watching a great innovator at a personal high point.

Full Review Source: Chicago Tribune | comment Comment
01/27/05
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

For those willing to ponder, this is a worthy feast of words and images.

Full Review Source: Seattle Times | comment Comment
01/21/05
Moira MacDonald
Moira MacDonald
Seattle Times
N/R

Click to read the article

Full Review Source: City Pages, Minneapolis/St. Paul | comment Comment
01/16/05
Jim Ridley
Jim Ridley
City Pages, Minneapolis/St. Paul

A glaringly obvious message delivered in willfully opaque style.

Full Review Source: Minneapolis Star Tribune | comment Comment
01/13/05
Colin Covert
Colin Covert
Minneapolis Star Tribune

An intensely felt, quietly beautiful elegy to 20th-century Europe -- to the Europe of wars -- and to the human need to create enemies.

Full Review Source: Boston Globe | comment Comment
12/30/04
Ty Burr
Ty Burr
Boston Globe

stuffed full of ideas, artfully crafted and thoroughly engrossing

Full Review Source: Reeling Reviews | comment Comment
12/23/04
Laura Clifford
Laura Clifford
Reeling Reviews
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
12/17/04
St. Louis Post-Dispatch

This Musique sings.

Full Review Source: E! Online | comment Comment
12/17/04
E! Online

Sad to say, Godard's innovative style is no longer breathtaking, or even innovative. Confusing and boring are better words.

Full Review Source: Film Journal International | comment Comment
12/11/04
Shirley Sealy
Shirley Sealy
Film Journal International

A film of flowing, redemptive beauty and poetry, at once immediate yet classic in its simplicity of form.

Full Review Source: Los Angeles Times | comment Comment
12/03/04
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

A refreshingly moving, relatively easy-to-follow guide to the persistence of mankind's barbarism and our equally dogged hope to achieve some kind of reconciliation before the last light is stomped out.

Full Review Source: Los Angeles Daily News | comment Comment
12/03/04
Bob Strauss
Bob Strauss
Los Angeles Daily News
 
 
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