Hardly a director alive possesses Godard's eye for dynamic, inner-lit old-masterly compositions.
Notre Musique (2004)
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Reviews Counted:53
Fresh:35
Rotten:18
Average Rating:6.6/10
Consensus: A dense, but thoughtful meditation about war by Jean-Luc Godard.
Theatrical Release:Nov 24, 2004 Limited
Box Office: $33,201
Synopsis: French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The... French master Jean-Luc Godard's NOTRE MUSIQUE is a passionate, scathing indictment of war. Divided into three segments, the film boldly condemns the notion of war and the damage that it causes. The first segment, Hell, is a breathtaking visual montage that captures the cruelty and brutality of battle. Next comes Purgatory. Set in postwar, modern-day Sarajevo, this chapter of the film finds Godard at his most philosophical. Godard himself appears as a lecturer at a cultural conference, in which he points out, through a photographic presentation, the similarities between such seemingly opposite groups as the Israelis and Palestinians. Meanwhile, a young Israeli student (Sarah Adler) searches for answers of her own by taking photographs and interviewing various individuals about the concept of power. Another young woman, Olga (Nade Dieu), shows her disdain for the Israeli/Palestinian conflict by performing an act of defiance that leads to the film's third and final segment, Paradise, in which Olga finds herself on the other side of consciousness. NOTRE MUSIQUE is an expression of frustration with the violence in the world. The opening montage recalls Godard's experimental work from the 1970s, while the middle segment features the same literate, philosophical musings that have been with Godard since day one. Meanwhile, the closing vision of paradise brings to mind his audacious films from the late-1960s (WEEKEND, SYMPATHY FOR THE DEVIL). NOTRE MUSIQUE is the work of a genius who is still at the top of his game. This film was included in the 42nd New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Starring: Sarah Adler, Nade Dieu, George Aguilar, Rony Kramer
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Producer: Alain Sarde, Ruth Waldburger
Studio: Wellspring
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Reviews for Notre Musique
If film is an art, it's because it's possible for somebody to make films like this.
This tiresome series of ruminations on the meaning of existence, as well as man's inhumanity to man, demonstrates that Godard is still stuck in the same groove, that he makes the same movie over and over again.
The result is, alas, more an illustrated lecture than illuminating insight, a little chunk of purgatory for all but the most diehard of Godard's fans.
Godard has become a nonsensical rambler whose vision surpasses his reach.
Jean-Luc Godard has another movie out...and we all know what that means.
Jean-Luc Godard has had a tendency to be combative and obscure. He's a lot calmer and steadier in his latest feature.
A lumpy mix of real-life and fictional events that shows age hasn't diminished the famed filmmaker's zeal to experiment.
Packs more thoughts and ideas into any two minutes than most movies have at all.
It will mean much more to those familiar with his work. But those moviegoers will experience intense pleasure in watching a great innovator at a personal high point.
For those willing to ponder, this is a worthy feast of words and images.
An intensely felt, quietly beautiful elegy to 20th-century Europe -- to the Europe of wars -- and to the human need to create enemies.
Sad to say, Godard's innovative style is no longer breathtaking, or even innovative. Confusing and boring are better words.
A film of flowing, redemptive beauty and poetry, at once immediate yet classic in its simplicity of form.
A refreshingly moving, relatively easy-to-follow guide to the persistence of mankind's barbarism and our equally dogged hope to achieve some kind of reconciliation before the last light is stomped out.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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