Novo Reviews

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Kent Turner
September 21, 2005
Groundhog Day for the randy or 9 1/2 Weeks reduced to 9 1/2 hours
Full Review | Original Score: '2/5'
Top Critic
Stephen Holden
New York Times
September 20, 2005
Sleek, attractive and ultimately vapid, Novo applies to sex and love the concept of short-term memory loss used to such acute dramatic effect in Memento.
| Original Score: 2/5
Top Critic
James Crawford
Village Voice
September 20, 2005
Limosin's elliptical narrative, meant to correlate with his protagonist's blank-slate mind, instead plays as desultory and just plain confused.
Top Critic
Frank Scheck
Hollywood Reporter
October 28, 2005
While its provocative theme clearly has dramatic and comedic possibilities, the film mostly fails to realize them, content to provide a series of erotic encounters with plenty of opportunities for its lead performers to undress.

Empire Magazine
April 1, 2006
Full Review | Original Score: 2/5
Top Critic
Jack Mathews
New York Daily News
September 23, 2005
Playfully sexy.
Full Review | Original Score: 2.5/4
Phil Hall
Film Threat
September 18, 2005
It's Memento as a Eurotrash sex comedy.
Full Review | Original Score: 2.5/5
Matthew Leyland
July 5, 2005
It's not hard to be charmed by lead actor Noriega.
Full Review | Original Score: 3/5
Ed Gonzalez
Slant Magazine
June 8, 2004
Taking a cue from Memento, Novo positions a flesh-and-blood man's short-term memory as a kind of moral invisibility cloak.
Full Review | Original Score: 2.5/4
Ken Fox
TV Guide's Movie Guide
September 21, 2005
Despite its philosophical pretensions, the film is fairly lightweight, and its good-looking cast and sleek production values are more memorable than any of its heady themes.
Full Review | Original Score: 2.5/4
Jason Anderson
October 22, 2003
Top Critic
Deborah Young
June 10, 2008
Top Critic

Time Out
February 9, 2006
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