I am happy to report that O does not do violence to, nor dumb down, its important themes.
O (2001)
Tomatometer
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Reviews Counted:123
Fresh:78
Rotten:45
Average Rating:6/10
Consensus: Though well-intentioned and serious in its exploration of teen violence, O is an uneven experiment that doesn't quite succeed.
Rated: R [See Full Rating] for violence, a scene of strong sexuality, language and drug use
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:Aug 31, 2001 Wide
Box Office: $15,540,020
Synopsis: A contemporary retelling of Othello, Shakespeare's timeless tale of treachery and jealousy, O will perhaps introduce a new audience to the genius of William Shakespeare and some of his most... A contemporary retelling of Othello, Shakespeare's timeless tale of treachery and jealousy, O will perhaps introduce a new audience to the genius of William Shakespeare and some of his most intriguing and tragic characters. Set in an elite private school located deep in the American South, Mekhi Phifer portrays NBA hopeful Odin James, the only black student at the school. Odin not only enjoys widespread popularity with the students, he is dating Desi Brable (Julia Stiles), the beautiful daughter of the Dean of Palmetto Grove Academy (John Heard). Odin's best friend, Hugo Goulding (Josh Hartnett), drawn closely from Shakespeare's nefarious Iago, is a starting forward on the basketball team, and the son of Coach Duke Goulding (Martin Sheen). Hugo has been asked by his father to look out for Odin because of the particular pressures facing him at Palmetto Grove. Yet Hugo is bitterly envious of Odin and the attention Odin receives from the coach and everyone else at school. An introspective and somewhat mysterious young man, Hugo seeks to manipulate those around him to his own private ends. Placed by his own father in the role of Odin confidante, Hugo is, in reality, seeking to destroy the very person he pretends to befriend. As the basketball season comes to a dramatic finish, conflict among the six friends escalates into irrevocable tragedy when Hugo executes a plan prompting Odin to throw away all that he cares about most- the woman he loves, his bright future, his very soul. -- © 2001 Lions Gate Films [More]
Starring: Josh Hartnett, Mekhi Phifer, Julia Stiles, John Heard
Starring: Josh Hartnett, Mekhi Phifer, Julia Stiles, John Heard, Eldon Henson, Andrew Keegan, Rain Phoenix, Martin Sheen, A.J. Johnson, Harold Shumate
Director: Tim Blake Nelson
Director: Tim Blake Nelson
Screenwriter: Brad Kaaya
Producer: Daniel Fried, Eric Gitter
Composer: Jeff Danna
Studio: Lions Gate Films
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Reviews for O
Othello may be the saddest of all Shakespeare's tragedies, and O captures its power in the storm-tossed emotions of modern teens.
Perhaps overaware of its solemn literary inheritance, it tiptoes around sex and race, and, in turning Shakespeare's grown-ups into Dawson's Creek teens, jettisons much of the original's grandeur.
And then there's Josh Hartnett, what can I say... Who knew he had such a performance in him?
O, that this too, too solid film would mesh, thaw and resolve itself with the Bard.
Watching these events carried out by teenagers is not tragic but sad, a needless waste of young lives with no new insights to justify their deaths.
The camera is subtle but insistent in how it views characters with darkness, pity and suspicion.
The movie is violent and alarming, but in no way does it endorse or glamorize killing as a solution to problems. When the inevitable murders begin in the third act, no one is going to be cheering for more.
Credit is to be given to Shakespeare for creating a plot so heavy that it gives weight even to a labored teen drama.
Takes a tragic phenomenon and puts it both in a universal and intelligent context.
Its beauty is in the seamless transformation of a hundreds-of-years-old story to a 21st century setting, aided by capable performances.
It understands its source material, and it helps us to understand it as well.
Hartnett is electric in his portrayal of this truly evil, twisted character.
In the end, the Shakespearean ideas collapse on film because of the youthful callowness of the characters.
It is a powerful film, and a real one, making the case that even without the Olde English, Shakespeare's plots don't go stale.
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