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O Fantasma (2000)
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Reviews Counted:16
Fresh:4
Rotten:12
Average Rating:4.6/10
Runtime: 90 mins
Genre: Foreign Films
Synopsis: Sergio (Ricardo Meneses) is a brooding, lonely man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men in the city's darkest,... Sergio (Ricardo Meneses) is a brooding, lonely man who works as a trash collector in Lisbon by day and roams the city streets by night seeking rough, anonymous sex with men in the city's darkest, dirtiest corners. Sergio is alienated from life--he has no friends or family, and even his sexual encounters fail to engage him or satisfy his desires. One night he meets an attractive man who seems to be the embodiment of his tormented fantasies, and he becomes obsessed with the stranger until loneliness and unfulfilled desire propel him finally into a dark and dangerous animalistic state. Portuguese director Joao Pedro Rodrigues has crafted a haunting, feverish study of the alienation and despair that permeate modern urban life, and the profound devastation that solitude and repressed sexuality can inflict on the psyche. [More]
Starring: Ricardo Meneses, Beatriz Torcato, Andre Barbosa, Eurico Vieira
Starring: Ricardo Meneses, Beatriz Torcato, Andre Barbosa, Eurico Vieira
Director: Joao Pedro Rodrigues
Director: Joao Pedro Rodrigues
Screenwriter: Joao Pedro Rodrigues, Jose Neves, Paulo Rebelo, Alexandre Melo
Producer: Amandio Coroado
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Reviews for O Fantasma
Imagine (if possible) a Pasolini film without passion or politics, or an Almodovar movie without beauty or humor, and you have some idea of the glum, numb experience of watching O Fantasma.
It's clear that director Rodrigues has a future as a provocateur. But you may want to decide whether to spend an evening being provoked -- and possibly perplexed. Not that there's anything wrong with that, of course.
The film may be provocative, but it's also maddening... In the end, the audience is left with a great big WHY?
First-time director João Pedro Rodrigues' unwillingness to define his hero's background or motivations becomes more and more frustrating as the film goes on.
Although purportedly a study in modern alienation, it’s really little more than a particularly slanted, gay s/m fantasy, enervating and deadeningly drawn-out.
There’s this gay garbageman who roams the city at night in a black rubber catsuit and searches out dangerous anonymous sexual encounters. Would you care to invest?
Despite a couple of memorable scenes, it's boring when it's not kinky.
Like the central figure, the structurelessness of plot and direction, lead directly into obscurity.
The gay audience you'd expect the movie to pander to will likely be dismayed by its depraved view of homosexuality.
While the transgressive trappings (especially the frank sex scenes) ensure that the film is never dull, Rodrigues's beast-within metaphor is ultimately rather silly and overwrought, making the ambiguous ending seem goofy rather than provocative.
Often looks like explicit gay pornography thinly disguised as high art.
The most audacious, outrageous, sexually explicit, psychologically probing, pure libido film of the year has arrived from Portugal.
It extends the writings of Jean Genet and John Rechy, the films of Fassbinder, perhaps even the nocturnal works of Goya.
This odd, distant Portuguese import more or less borrows from Bad Lieutenant and Les Vampires, and comes up with a kind of art-house gay porn film.
O Fantasma is boldly, confidently orchestrated, aesthetically and sexually, and its impact is deeply and rightly disturbing.
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