I like a wry, deadpan social comedy as much as the next person, but I need a little more than O'Horten's minimalist palette to get me going.
O'Horten (2009)
Tomatometer
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Reviews Counted:76
Fresh:68
Rotten:8
Average Rating:7.1/10
Consensus: Bent Hamer's latest is a droll, deadpan comedy filled with strange touches and melancholy charm.
Theatrical Release:May 22, 2009 Limited
Box Office: $170,980
Synopsis: Odd Horten (Baard Owe) is a man with a lot of time on his hands. The character at the center of Bent Hamer’s wry social comedy, O'HORTEN, is a former train driver who struggles to adjust to the... Odd Horten (Baard Owe) is a man with a lot of time on his hands. The character at the center of Bent Hamer’s wry social comedy, O'HORTEN, is a former train driver who struggles to adjust to the freedoms of retirement. Hamer carefully outlines the rituals from Horten’s working life: recurring visits to a local tobacconist to fuel his pipe-smoking habit, a pre-work routine in his Oslo apartment, and visits to a small-town hotel where the kindly female owner treats him with considerable fondness. Most of Hamer’s movie takes place in the snow-covered Oslo night, where Horten encounters a series of erratic characters as his own behavior slides into nonconformity. The director fills his movie with little eccentricities that are rarely explained but often provoke amusement, such as the time Horten emerges from a late-night dip in a swimming pool, clad in a pair of red high-heeled shoes. O'HORTEN is a wonderfully amusing piece, with Hamer demonstrating his innate ability for offbeat comedy. The strange atmosphere and long silences are reminiscent of the work of Finnish director Aki Kaurismaki, and the oddball denizens of the Oslo night are similar to the way-out characters of Jim Jarmusch’s MYSTERY TRAIN. Hamer’s movie is a compelling exploration of a loner who has had all the familiarity stripped from his world, and flounders as he seeks to find meaning in a life shorn of routine. Owe’s deadpan delivery is flawless, and his restrained performance offers few clues as to what is going on in Horten’s head, requiring the audience to ponder the motivations for his increasingly peculiar behavior. The mixture of humor and poignancy are kept in a delicate balance throughout, with Hamer gently steering his small cast through a film full of richly rewarding subject matter. [More]
Starring: Baard Owe, Espen Skjonberg, Ghita Norby, Bjorn Floberg
Starring: Baard Owe, Espen Skjonberg, Ghita Norby, Bjorn Floberg, Kai Remlov, Henny Moan, Bjarte Hjelmeland, Per Jansen
Director: Bent Hamer
Director: Bent Hamer
Screenwriter: Bent Hamer
Producer: Bent Hamer
Composer: KAADA
Studio: Sony Pictures Classics
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Reviews for O'Horten
Written, directed and produced by Hamer, O’Horten certainly suffers from the over-riding influence of one man’s vision. And though it’s a skilful, gentle piece of filmmaking, it’s a shame that the storyline is as old and tired as Horten himself.
Too cute by half, filled with myriad forced moments of magic, O'Horten attempts to cast a nuanced spell, but ends up making rather little impression at all.
A preciously deadpan comedy that never lays claim to its own distinct identity; it’s cinema as a mass-manufactured snow globe.
Well-intentioned piece of Norwegian whimsy may be too low-key for its own good.
Charming and beautiful looking, but just another mode of transportation for a stubborn old guy lurching through a series of unscheduled stops while finally learning to live.
As O'Horten begins, it's clear that Horten will manage his retired life much the same as he has his working one, with consistent routines and a decided lack of improvisation.
For those of you who enjoy quirky European cinema, this Norwegian movie will provide a perfectly pleasurable way to spend 90 minutes.
Made up of meticulously constructed, deadpan scenes that turn on Keatonesque visual jokes.
If you can settle into [Baard Owe's] playful deadpan rhythms, a bittersweetly funny, existential mystery -- or call it a modest adventure, if that's not too oxymoronic -- awaits.
Hamer brings little new to the table here, but it's nicely performed.
O’ Horten is a slow-burner – as gentle as a falling snow flake but filled with dry humour, warm smiles and melancholy reflections on the human condition. It leaves a lovely afterglow.
The decidedly Nordic -- though not at all glacial -- O'Horten is a mixture of sweetness and deadpan that proves the Kaurismäki/Andersson school of filmmaking still has new delights in store.
Quiet and lovely, its subtle pleasures reminded me of Erik Satie's 'Gymnopedie.'
Depending on your patience for oddball mood pieces, you will either sleep through O' Horten or be oddly captivated. Either way, it'll be like dreaming.
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