O Som ao Redor (Neighbouring Sounds) (2012)
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Critic Reviews for O Som ao Redor (Neighbouring Sounds)
The film promises a little more than it delivers, and at over two hours there are moments where it drags. But as a statement of intent, 'Neighbouring Sounds' is incredibly bold.
Economically packed with social issues of wealth, property and class, and deft cinematic references, this is a movie built for the modern global high-rise condo market.
Similar to the slow-creep style of Dogtooth director Giorgos Lanthimos, the narrative unfolds with escalating tension, the cause of which is heard and felt but not always seen.
"Neighboring Sounds" presents itself not only as a character study, but also as an authentic socio-economic class study.
Audience Reviews for O Som ao Redor (Neighbouring Sounds)
An extremely intelligent and thought-provoking Brazilian film that uses a street in Recife as a microcosm for the social issues of middle class - exposing the underlying fears of bourgeoisie while creating a clever parallel between a guilty past and the promise of a violent future.
'Neighbouring Sounds'. A wonderful mix of direction, sound design, classes and characters in this suburban microcosm of Brazil.
n "Neighboring Sounds," Joao(Gustavo Jahn) has spent the night getting acquainted physically with Sofia(Irma Brown). In the morning, they spend a lot of the time collecting their clothing and avoiding the maid and children. Then, Sofia finds her car stereo stolen. Luckily, Joao has a culprit in mind, Dinho(Yuri Holanda) who is also apparently responsible for every bit of crime around the neighborhood. What he is not responsible however is the dog that keeps Bia(Maeve Jenkings) awake. So, instead of taking sleeping pills herself, she uses them on the dog.
"Neighboring Sounds" is a finely tuned look at class politics in Recife, Brazil where classes live close to each other, separated from each other by concrete walls. On the plus side, there is plenty of work to go around in security, even if it is very boring. And with such differences in reality, it is no surprise that the dream sequences work as well as they do, as does a key sequence where an old man goes swimming which makes the movie's point wonderfully and subtly. What does not work as well is Bia's battle with the dog, as I'm not quite sure what that symbolizes.
O Som ao Redor (Neighbouring Sounds) Quotes
|Fernando:||You shouldn't talk to us like that, Doctor.|
|Dinho:||I'm no doctor, man, nor patient... If I find out that you called me, you're all fucked.|
|Francisco:||What's with the blind eye? Is that fir for a watchman?|
|Fernando:||I probably see a lot better than you, sir.|
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