Opening

43% The Great Gatsby May 10
46% Peeples May 10
95% Stories We Tell May 10
100% The Painting May 10
—— Assault On Wall Street May 10
50% Aftershock May 10
85% Sightseers May 10
33% No One Lives May 10

Top Box Office

78% Iron Man 3 $174.1M
46% Pain & Gain $7.5M
77% 42 $6.1M
56% Oblivion $5.6M
69% The Croods $4.2M
8% The Big Wedding $3.9M
98% Mud $2.2M
60% Oz the Great and Powerful $2.1M
4% Scary Movie 5 $1.4M
81% The Place Beyond The Pines $1.3M

Coming Soon

88% Star Trek Into Darkness May 16
29% Erased May 17
100% Frances Ha May 17
—— The English Teacher May 17

Oblivion Reviews

Anthony Lane
New Yorker
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Feels ever more grounded and stuck ...

Full Review Source: New Yorker

April 29, 2013
David Edelstein
Vulture
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Was Cruise trying to beat out fellow Scientologist John Travolta for the honor of starring in the dumbest sci-fi epic ever?

Full Review Source: Vulture

April 22, 2013
Ignatiy Vishnevetsky
Chicago Sun-Times
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If nothing else, "Oblivion" will go down in film history as the movie where Tom Cruise pilots a white, sperm-shaped craft into a giant space uterus.

Full Review Source: Chicago Sun-Times | Original Score: 2/4

April 21, 2013
Richard Roeper
Richard Roeper.com
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This is the sci-fi movie equivalent of a pretty damn good cover band.

Full Review Source: Richard Roeper.com | Original Score: 3/5

April 19, 2013
Tom Charity
CNN.com
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Glossy, derivative, ambitious and fatally underpowered.

Full Review Source: CNN.com

April 19, 2013
J. R. Jones
Chicago Reader
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The story eventually devolves into a grab bag of sci-fi tropes but, as with so many other Cruise productions, the sheer scale of everything is so mind-numbing that you may not notice.

Full Review Source: Chicago Reader

April 19, 2013
Andrew O'Hehir
Salon.com
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The sly, surprising and visually magnificent Tom Cruise vehicle that has forced me - and many other people, I suspect - to revise my first opinion of director Joseph Kosinski.

Full Review Source: Salon.com

April 19, 2013
Rick Groen
Globe and Mail
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Oblivion is an okay blockbuster, a multimillion-dollar exercise in competence.

Full Review Source: Globe and Mail | Original Score: 2.5/4

April 19, 2013
Tom Long
Detroit News
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Kosinski offers plenty of action here, and he lets the plot reveals bleed out slowly (explanations keep coming right to the end). Yes, a great deal is derivative, but it's fast-moving derivative.

Full Review Source: Detroit News | Original Score: B

April 19, 2013
Stephen Whitty
Newark Star-Ledger
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A movie that combines a lot of different films, yet somehow remains less than the sum of its parts ...

Full Review Source: Newark Star-Ledger | Original Score: 1.5/4

April 19, 2013
Kenneth Turan
Los Angeles Times
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More adventurous than your typical Hollywood tent pole, "Oblivion" makes you remember why science fiction movies pulled you in way back when and didn't let you go.

Full Review Source: Los Angeles Times | Original Score: 4/5

April 18, 2013
Michael O'Sullivan
Washington Post
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If you're able to forgive and forget, Oblivion isn't a bad place to start loving Tom Cruise all over again.

Full Review Source: Washington Post

April 18, 2013
Claudia Puig
USA Today
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Director Joseph Kosinski focuses on cool visuals but stints on a compelling plot. It's a dazzler, but the story lacks the impact of the futuristic look.

Full Review Source: USA Today | Original Score: 2.5/4

April 18, 2013
Joe Morgenstern
Wall Street Journal
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The mystery posed by "Oblivion" as a whole is why its mysteries are posed so clumsily, and worked out so murkily.

Full Review Source: Wall Street Journal

April 18, 2013
Manohla Dargis
New York Times
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The agony of being a longtime Tom Cruise fan has always been a burden, but now it's just, well, dispiriting.

Full Review Source: New York Times | Original Score: 2/5

April 18, 2013
Steven Rea
Philadelphia Inquirer
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[Cruise] oversees some pretty impressive stuff here, from the drones that ping-pong around in the air to the bubbleship that Jack uses to go to and fro to that awesome house with its panoramic views.

Full Review Source: Philadelphia Inquirer | Original Score: 2.5/4

April 18, 2013
Scott Tobias
NPR
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Kosinski's personal commitment to gorgeous artifice above all other considerations only harms the film so much.

Full Review Source: NPR

April 18, 2013
Peter Howell
Toronto Star
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Oblivion gives us stars in the cast, stars in our eyes and it even tweaks a brain cell or three.

Full Review Source: Toronto Star | Original Score: 2.5/4

April 18, 2013
Colin Covert
Minneapolis Star Tribune
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The film is rife with elements from its finest predecessors - Kubrick, Lucas, the Wachowskis and Pixar could be listed as creative consultants - but it has the spirit of a love letter to classic sci-fi, not an opportunistic mash-up.

Full Review Source: Minneapolis Star Tribune | Original Score: 3.5/4

April 18, 2013
Rafer Guzman
Newsday
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Playing spot-the-influence is the most fun you'll have during this expensive-looking, slow-moving plod through familiar territory.

Full Review Source: Newsday | Original Score: 2/4

April 18, 2013
Kyle Smith
New York Post
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So "Top Gun" has become "Wall-E."

Full Review Source: New York Post | Original Score: 2/4

April 18, 2013
Michael Phillips
Chicago Tribune
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When you go to a futuristic, dystopian, post-apocalyptic barn dance starring Tom Cruise and his space guns, you expect a little zap with your thoughtful pauses.

Full Review Source: Chicago Tribune | Original Score: 2/4

April 18, 2013
Peter Travers
Rolling Stone
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For all the bells and whistles - an electronic score by M83, a screen-busting Imax presentation and Cruise going full throttle - Oblivion feels arid and antiseptic, untouched by human hands.

Full Review Source: Rolling Stone | Original Score: 2/4

April 18, 2013
Mark Feeney
Boston Globe
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Sometimes Oblivion can be pretty oblivious.

Full Review Source: Boston Globe | Original Score: 2.5/4

April 18, 2013
Rene Rodriguez
Miami Herald
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The filmmakers don't even have the courage to see the story to its proper end, opting for a ridiculous finale that feels vaguely insulting.

Full Review Source: Miami Herald | Original Score: 2/4

April 18, 2013
James Berardinelli
ReelViews
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Oblivion is imperfect but some of its imperfections result from being overly ambitious.

Full Review Source: ReelViews | Original Score: 3/4

April 18, 2013
Soren Anderson
Seattle Times
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You start wondering whether director Joseph Kosinski and screenwriters Karl Gajdusek and Michael DeBruyn have any original ideas of their own. And then you realize they don't.

Full Review Source: Seattle Times | Original Score: 2/4

April 18, 2013
Randy Myers
San Jose Mercury News
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The mix of gee-whiz gadgetry and the day-to-day routineness of Jack and Victoria's lives is interesting enough, but the film is too glacially paced for it to work.

Full Review Source: San Jose Mercury News | Original Score: 2/4

April 17, 2013
Joe Neumaier
New York Daily News
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As its palpable sense of dread -- well-sustained in a gently cascading first hour -- gives way to dead ends, this Omega Movie shoots itself in the foot.

Full Review Source: New York Daily News | Original Score: 2/5

April 17, 2013
Bill Goodykoontz
Arizona Republic
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"Oblivion" may not live up fully to its grand ambitions, but it isn't for lack of trying.

Full Review Source: Arizona Republic | Original Score: 3.5/5

April 17, 2013
Chris Nashawaty
Entertainment Weekly
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All the eye candy in the world can't mask the sensation that you've seen this all before...and done better. Too bad the movie's script wasn't given the same attention as its sleek, brave-new-world look.

Full Review Source: Entertainment Weekly | Original Score: C+

April 17, 2013
William Goss
Film.com
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Rendered with equal parts urgency and familiarity.

Full Review Source: Film.com

April 17, 2013
Jake Coyle
Associated Press
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For those who enjoy the simple thrill of handsomely stylized image-making, ''Oblivion'' is mostly mesmerizing.

Full Review Source: Associated Press | Original Score: 2.5/4

April 17, 2013
Alan Scherstuhl
Village Voice
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Director Kosinski proves himself talented in ways his Tron: Legacy didn't suggest.

Full Review Source: Village Voice

April 16, 2013
Alonso Duralde
The Wrap
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If the dialogue and the concepts of Oblivion had been as fresh and powerful as its art direction, we'd really have something here. Instead, it's something borrowed packaged inside something new.

Full Review Source: The Wrap

April 16, 2013
Todd McCarthy
Hollywood Reporter
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A terrific-looking sci-fier that loses steam in the second half.

Full Review Source: Hollywood Reporter

April 11, 2013
Guy Lodge
Time Out
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Kosinski continues to lavish far more thought on how his elaborate fantasy worlds look than how they work, and neither the politics nor the human stakes here coalesce into rational or relatable drama.

Full Review Source: Time Out | Original Score: 2/5

April 10, 2013
Justin Chang
Variety
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A moderately clever dystopian mindbender with a gratifying human pulse, despite some questionable narrative developments along the way.

Full Review Source: Variety

April 10, 2013
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