After a lot of buildup, not much happens at the climax.
Ocean's Thirteen (2007)
Tomatometer
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Reviews Counted:192
Fresh:133
Rotten:59
Average Rating:6.3/10
Consensus: Ocean's Thirteen reverts to the formula of the first installment, and the result is another slick and entertaining heist film.
Theatrical Release:Jun 8, 2007 Wide
Box Office: $117,096,871
Synopsis: The third installment of Steven Soderbergh's slick, star-studded heist series just might be the best, as Danny Ocean (George Clooney) and company pull off another elaborate caper, this time in the... The third installment of Steven Soderbergh's slick, star-studded heist series just might be the best, as Danny Ocean (George Clooney) and company pull off another elaborate caper, this time in the name of revenge. Reuben Tishkoff (Elliott Gould), one of Ocean's original eleven, lies nearly comatose after a myocardial infarction brought on by shock. His dreams of regaining his former glory on the Vegas strip have been dashed by the dastardly Willie Bank (Al Pacino), with whom Reuben foolishly went into business to build the biggest and flashiest casino the the world has ever seen. Bank took Reuben for all he was worth, and now, the famously loyal thirteen won't rest until Bank has been brought down. They execute this noble cause through complex, daring, and brilliant machinations that make the most of everyone's talents, including Yen's (Shaobo Qin) acrobatics, Linus's (Matt Damon) acting abilities, and Basher's (Don Cheadle) heavy machinery. Virgil and Turk Malloy (Casey Affleck and Scott Caan) get a few hilarious moments as they brew up a revolution in a Mexican plastics plant, while Rusty (Brad Pitt) and Danny coolly preside over the action like omniscient, infallible deities, always about three steps ahead of the game. The villain's downfall is utterly satisfying due to the pure capitalist evil channelled by Pacino, while Ellen Barkin vamps it up as Bank's "cougar" of an assistant. The camaraderie of the thirteen lends heart to these cool criminals, best captured by the sappy letters Basher sends Reuben, which ultimately bring him back to life. Vegas is effectively captured through seamless editing and beautiful photography, with the trappings of uber-wealth making the fantasy even more fantastical. [More]
Starring: George Clooney, Brad Pitt, Matt Damon, Casey Affleck
Starring: George Clooney, Brad Pitt, Matt Damon, Casey Affleck, Bernie Mac, Ellen Barkin, Scott Caan, Elliott Gould, Don Cheadle, Al Pacino
Director: Steven Soderbergh
Director: Steven Soderbergh
Screenwriter: David Levien, Brian Koppelman
Producer: Jerry Weintraub
Composer: David Holmes
Studio: Warner Bros.
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Reviews for Ocean's Thirteen
Is it possible that only a director so distrustful of surfaces could surrender so thrillingly to the big lie?
Sure, it couldn't be much more self-indulgent, but the fun is infectious.
It's watchable, colorful and intermittently funny, but given the level of talent on display, it's reasonable to want more than that.
Personality is noticeably lacking in director Steven Soderbergh's cotton candy caper confection that should, but will not, end his superfluous "Ocean's" franchise.
Marks a return to form after the self-indulgent tomfoolery of its globe-hopping predecessor, even if the revenge heist scenario now feels very tired.
This is Soderbergh’s point: that fiendishly clever new gadgets can work with old-fashioned morals to brilliant effect. We forget that at our peril. This point alone is reason enough why Ocean’s Thirteen is the best of Soderbergh’s heists.
Ocean's Thirteen is pretty much a confection of silly gags, great visuals, male bonhomie and goofy comedic 'suspense.' And I'm not, per se, complaining.
So listless and logy it needed Michael Moore to take it to Cuba for emergency medical treatment.
As smooth as a good mojito, as stylish as an Armani suit and as meaningful in the grand scheme of things as yesterday's Las Vegas betting odds, Ocean's Thirteen continues the breezy good times of the first two series entries without missing a beat.
More than the previous segments, in this one, director Soderbergh and his writers adopt the prevalent paradigm of Howard Hawks, centering the saga on male camaraderie, cool professionalism, and above all group loyalty.
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