Beautifully and convincingly conveys the baffling ways in which love and place can work their wonders upon us and bring about transformation in their wake.
Off the Map (2005)
Tomatometer
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Reviews Counted:90
Fresh:62
Rotten:28
Average Rating:6.6/10
Consensus: Excellent performances mark this leisurely paced film.
Theatrical Release:Mar 11, 2005 Limited
Box Office: $1,257,674
Synopsis: Across the ancient high desert landscape of northern New Mexico, an extraordinary family embarks on a lyrical journey of self-discovery that reveals unexpected moments of grace and the... Across the ancient high desert landscape of northern New Mexico, an extraordinary family embarks on a lyrical journey of self-discovery that reveals unexpected moments of grace and the unpredictable but enduring nature of love. In Campbell Scott's OFF THE MAP, the poetry of a time and a place marked by simplicity comes into full bloom. It's 1974 and the harshly beautiful wilds of Taos are home to 11-year-old Bo Groden (Valentina de Angelis) and her free-thinking family. While constantly yearning for escape from her sparse environment, Bo passes the time with flair and imagination. She's a crack shot with a rifle and a bow and arrow, an artful plunderer of wallets and briefcases, and the compelling mistress of ceremonies for a moonlit three-ring circus of her own invention. Bo's home is an entrancing, challenging place that she will one day transcend to become the woman she was destined to be. Arlene (Joan Allen), Bo's warm, earthy, and eccentric mother, raises most of the family's food in her vegetable garden -- which she prefers to tend in the nude. Meanwhile, Bo's father, Charley (Sam Elliott), the embodiment of Old West masculinity, is losing the battle with his inner demons. When William Gibbs (Jim True-Frost) arrives, a hapless IRS agent with demons of his own, he soon proves to be a catalyst in the lives of the family during this watershed summer. Embraced by the Grodens' idyllic, peculiar world, Gibbs eventually abandons an investigation into the Grodens' tax history and realizes he has fallen in love with both the place and its people. In a surge of creative energy, Gibbs dips a brush in paint and pours his feelings out on canvas, discovering a long hidden talent for artistic expression. The Grodens, too, make their own discoveries over the course of this memorable season -- the mysteries of love and loss, the power of family unity, and the eternal truth that in New Mexico, the Land of Enchantment, anything is possible. Holedigger Studios presents OFF THE MAP, directed by Campbell Scott from a play by Joan Ackermann, who adapted the material for the screen. Scott and George Van Buskirk produced the film, with Martin Garvey and David Newman serving as executive producers. Jonathan Filley is the co-producer. The creative team includes director of photography Juan Ruiz Anchía, editor Andy Keir and production designer Chris Shriver. Amy Westcott designed the costumes and the original music is by Gary DeMichele. Marc Campbell is music supervisor. OFF THE MAP stars Joan Allen, a three-time Oscar® nominee for her performances in THE CONTENDER, THE CRUCIBLE and NIXON, Valentina de Angelis, Sam Elliott, J.K. Simmons, Jim True-Frost and Amy Brenneman. -- © Hole Digger Films [More]
Starring: Joan Allen, Amy Brenneman, Sam Elliott, J.K. Simmons
Starring: Joan Allen, Amy Brenneman, Sam Elliott, J.K. Simmons
Director: Campbell Scott
Director: Campbell Scott
Studio: Holedigger Studios
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Reviews for Off the Map
Valentina de Angelis holds it all together with a performance just as strong, coltish, and out of left field as Keisha Castle-Hughes in Whale Rider.
The wondrous, mysterious landscapes of New Mexico have been beautifully photographed. As for the story and characters, I sat there unable to buy a word of it.
Campbell Scott's warm, inviting film has the meandering pace of a special time when the summer goes on forever and the world has a bit more clarity.
[Campbell} Scott does a sound job in marshalling his intrepid cast and crew to tell the story of a very different kind of American family.
Campbell Scott directs with a light touch, flowing from one scene to the next with an ease that never interferes, but manages to capture the magic of every moment.
The main character here is an acute sense of place -- a place where one hunts for food but never for sport; where the only sounds are owls hooting in stereo; and where greater purpose is not defined by work but by art.
Alive with a sense of place, 'Off the Map' evoked for me the same wondrous feelings I had while watching 'To Kill a Mockingbird' and 'Shane.'
Most excels as a subtly observed study of how the dynamics within a close-knit family can shift over time.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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