Notable for its visual beauty, its melancholic Yo La Tengo score and its subtle performances, it's an impressively understated and sensitively observed work.
Old Joy (2006)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:82
Fresh:69
Rotten:13
Average Rating:7.2/10
Consensus: A serene, melancholy beauty permeates this meditative portrait of deep friendship and faded glory.
Runtime: 83 mins
Genre: Dramas
Theatrical Release:Aug 25, 2006 Limited
Synopsis: Old Joy is the story of two old friends, Kurt (Will Oldham) and Mark (Daniel London), who reunite for a weekend camping trip in the Cascade mountain range east of Portland, Oregon. For Mark, the... Old Joy is the story of two old friends, Kurt (Will Oldham) and Mark (Daniel London), who reunite for a weekend camping trip in the Cascade mountain range east of Portland, Oregon. For Mark, the weekend outing offers a respite from the pressure of his imminent fatherhood; for Kurt, it is part of a long series of carefree adventures. As the hours progress and the landscape evolves, the twin seekers move through a range of subtle emotions, enacting a pilgrimage of mutual confusion, sudden insight, and spiritual battle. When they arrive at their final destination, a hot spring in an old growth forest, they must either confront the divergent paths they have taken, or somehow transcend their growing tensions. -- © Kino International [More]
Starring: Daniel London, Will Oldham
Starring: Daniel London, Will Oldham
Director: Kelly Reichardt
Director: Kelly Reichardt
Studio: Kino International
Get This Movie
Reviews for Old Joy
Making exceptional use of stillness and silence, this is a rather sad study of the passing of traditional concepts of American masculinity along with the landscape that forged them.
At just 76 minutes, Old Joy is a minimalist film, but illuminating, bittersweet, gentle and deeply alive.
Old Joy, a reticent, delicate film, is riveting because not much happens.
The meditative and absorbing real-time pace suggests, and perhaps was inspired by, the cinema of Iran, and its hardscrabble aesthetic and minimalist production values.
The characters stayed with me, and I'm glad I took a second look now that it's opening for a two-week run at Northwest Film Forum. This time around, its sense of humor seemed much more effective -- as did its less-is-more style.
Although there's not much in the way of traditional drama in Old Joy, there's always something going on, if you're willing to pay close attention to the film's delicate details.
As your experience may diverge from theirs, the film offers a metaphor for reading, as the environment becomes at once a projection, frame, and mirror for subjective states.
Though it's well-intentioned and runs barely more than an hour, this slowly paced character study gets tiresome in a hurry.
The movie captures gorgeous mountain scenery with the simplicity of an Ozu film. It also benefits from the naturalistic performances.
It plays for a scant 73 minutes, but if feels as long as a Wagner opera.
The real resonance of Reichardt's at once lean and profound little movie is that, without saying anything directly, it can seem to say so much.
Old Joy is an accurately observed slice of that moment between postadolescence and parenthood, when friends cling or scatter, and circumstances force buried feelings to the fore.
The closely observed exchanges, which are so rambling and yet leave so much unstated, make the silences between Mark and Kurt echo with regret, longing, hope.
Like a great jazz musician, Reichart understands that striking a single, well-placed note can resonate more profoundly than playing a splashy cascade of noise just because you can.
Latest News for Old Joy
September 21, 2006:
Critical Consensus: "Jackass" Kicks; "King" Is Dethroned; "Fearless" Is Action-Packed; "Flyboys" Is Grounded
This week at the movies, we've got antisocial behavior ("Jackass: Number Two," with Johnny Knoxville and the gang), hell-raising politicos ("All The King's... More...
August 24, 2006:
Critical Consensus: "Invincible," "Worms" Score; "Idlewild," "Beerfest" Mixed
This week at the movies, we've got four underdog stories. An average Joe tries to play pro football ("Invincible," starring Mark Wahlberg), the new kid in school tries... More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Old Joy at Rotten Tomatoes
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


