A virulent, heart-shattering Korean revenge opus that deals out Promethean punishment to its central character.
Oldboy (2005)
Tomatometer
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Reviews Counted:118
Fresh:96
Rotten:22
Average Rating:7.3/10
Consensus: A strange, powerful tale of revenge.
Rated: R [See Full Rating] for strong violence including scenes of torture, sexuality and pervasive language.
Runtime: 2 hrs 25 mins
Genre: Foreign Films
Theatrical Release:Mar 25, 2005 Limited
Box Office: $637,778
Synopsis: It would be a sin to reveal too much about this riveting and bizarre thriller from Korean director Chan Wook Park, except to say that it's about a man named Dae-Su (Choi Min-Sik) who is locked in a... It would be a sin to reveal too much about this riveting and bizarre thriller from Korean director Chan Wook Park, except to say that it's about a man named Dae-Su (Choi Min-Sik) who is locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae Su finds himself still trapped in a web of conspiracy and strangeness. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef (Gang Hye-Jung), who feeds him live octopus and who may or may not be involved with the bizarre mystery. This is all served up in a striking palette of purples and dark reds; oozing with post-neo-noir style, and stuffed with insanely malicious twists and turns. Choi Min-Sik is terrific in the lead, counterbalancing over-the-top hysterics with deadpan cool to run the gamut of Asian antihero traits. There are intense fight scenes (Dae Su's favorite weapon is a hammer), look-away moments of torture and self-mutilation, sex, and gallons of black humor. Not for the squeamish, but for those seeking something wholly original and daring, this cinematic entree is alive--it's hard to imagine a better slice of psycho-shock sensationalism. [More]
Starring: Choi Min-Sik, Bo-Kyeong Kim, Yoo Ji-tae
Starring: Choi Min-Sik, Bo-Kyeong Kim, Yoo Ji-tae
Director: Chan Wook Park
Director: Chan Wook Park
Screenwriter: Chan Wook Park
Studio: Tartan Films
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Reviews for Oldboy
Combining the sinister suspense of Alfred Hitchcock with the unrepentant violence of Quentin Tarantino, South Korean director Park Chan-wook delivers a revenge tale as shocking as it is thought-provoking.
A visually beguiling trip that keeps pulling you along and keeps you wondering what fresh hell could possibly come next.
It's hard to make an argument for Oldboy based on anything other than pure cinematics, but when the style speaks this loudly, it's an argument worth making.
Full of insanely grand passions, bloodthirsty violence and jet black comedy, it's a sadistic masterpiece that confirms Korea's current status as producer of some of the world's most exciting cinema.
[T]he movie approaches us as if we were both a primitive religious congregation and a benumbed action-picture audience, in either case a group in need of shocks.
For a while, though, this is as invigorating -- and as darkly funny -- as modern rogue moviemaking gets.
When the hero swallows a live octopus, Chanwook exits Kafka and enters the schlocky twilight zone of geek TV.
Not for everyone. But it's a completely enveloping film experience and a twisted ride worth taking.
It’s at its best when it indulges a not-inconsiderable sense of humor, which is why it’s a shame that the overall mood is so bleak.
A movie critic doesn’t get to say this very often, so he should take the opportunity when he can: You have never seen anything like “Oldboy” before.
Oldboy is a powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare.
It's a movie of such jaw-dropping violence, wild improbability and dazzling style it overpowers all resistance.
Darkly funny and aggressively transgressive, Oldboy is the kind of film that sends you out of the theater dazed...
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