Oldboy is a powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare.
Oldboy (2005)
Tomatometer
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Reviews Counted:118
Fresh:96
Rotten:22
Average Rating:7.3/10
Consensus: A strange, powerful tale of revenge.
Rated: R [See Full Rating] for strong violence including scenes of torture, sexuality and pervasive language.
Runtime: 2 hrs 25 mins
Genre: Foreign Films
Theatrical Release:Mar 25, 2005 Limited
Box Office: $637,778
Synopsis: It would be a sin to reveal too much about this riveting and bizarre thriller from Korean director Chan Wook Park, except to say that it's about a man named Dae-Su (Choi Min-Sik) who is locked in a... It would be a sin to reveal too much about this riveting and bizarre thriller from Korean director Chan Wook Park, except to say that it's about a man named Dae-Su (Choi Min-Sik) who is locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, Dae Su finds himself still trapped in a web of conspiracy and strangeness. His own quest for vengeance becomes tied in with romance when he falls for an attractive sushi chef (Gang Hye-Jung), who feeds him live octopus and who may or may not be involved with the bizarre mystery. This is all served up in a striking palette of purples and dark reds; oozing with post-neo-noir style, and stuffed with insanely malicious twists and turns. Choi Min-Sik is terrific in the lead, counterbalancing over-the-top hysterics with deadpan cool to run the gamut of Asian antihero traits. There are intense fight scenes (Dae Su's favorite weapon is a hammer), look-away moments of torture and self-mutilation, sex, and gallons of black humor. Not for the squeamish, but for those seeking something wholly original and daring, this cinematic entree is alive--it's hard to imagine a better slice of psycho-shock sensationalism. [More]
Starring: Choi Min-Sik, Bo-Kyeong Kim, Yoo Ji-tae
Starring: Choi Min-Sik, Bo-Kyeong Kim, Yoo Ji-tae
Director: Chan Wook Park
Director: Chan Wook Park
Screenwriter: Chan Wook Park
Studio: Tartan Films
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Reviews for Oldboy
It's a wrenching, exhausting, deliriously brutal dark hole of a film that's ultimately about the nature of anger and the futility of revenge. And it's not for the queasy.
Darkly funny and aggressively transgressive, Oldboy is the kind of film that sends you out of the theater dazed...
The film likes itself. It likes its mysterious plot, it likes the black humor it operates in, and it likes being goofy, lurid and sick.
Haunting, horrifying Korean psycho-drama action film will make you sweat -- and works as the violence-flick equivalent of opera.
Works best as a thrilling ride, a genre piece, not as a movie to gain insight into the human experience
It says something when you come out of a film as weird and fantastical as Oldboy and feel that you've experienced something truly authentic. I just don't know what. I can't think of anything to compare it to.
Park Chanwook's frenzied thriller is entertaining to watch, which is a good thing, because there is not much to think about here, outside of the choreographed mayhem.
Oldboy is a movie where you think you're in hell from the first frame -- but have no inkling of the infernal circles to come.
An explosively exciting psychosexual revenge drama from Korean powerhouse Park Chanwook that makes movies feel alive again.
The style both visually and on the soundtrack is so rich that Park gets away with...awkward moments in the plot.
It's a movie of such jaw-dropping violence, wild improbability and dazzling style it overpowers all resistance.
I don't think it's a stretch to say that once the picture gets into Hollywood's bloodstream, it could well prove to be as influential as John Woo's 1989 crime thriller, The Killer.
It's an onslaught made to cause a sensation. Consider me simultaneously jolted and depressed.
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May 15, 2009:
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