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On Guard

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On Guard (1997)

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Reviews Counted:30

Fresh:26

Rotten:4

Average Rating:7/10

Consensus: A spirited, old-fashioned swashbuckler.

Rated: Not Rated

Runtime: 2 hrs 8 mins

Genre: Foreign Films

Theatrical Release:Oct 18, 2002 Limited

Synopsis: This superb swashbuckler stars Daniel Auteuil as Legardere, a swordsman in 18th-century France who befriends his fellow fencing student, the dashing Duke de Nevers (Vincent Perez), only to wind up... This superb swashbuckler stars Daniel Auteuil as Legardere, a swordsman in 18th-century France who befriends his fellow fencing student, the dashing Duke de Nevers (Vincent Perez), only to wind up on the run and accused of his murder. Nevers' villainous cousin (Fabrice Luchini) has orchestrated the killing, and is now after the Duke's infant child, Aurore, who is rescued and raised by Legardere. The years pass and Aurore grows into a ravishing beauty (played by Marie Gillain), who has inherited her father's skill with a sword, and, controversially, developed more than just a daughterly love for her protector. Sworn to avenge the Duke's death and restore Aurore's rightful title, Legardere undertakes a daring scheme of retribution and revenge. Like a great old novel (it's adapted from LE BOSSU by Paul Feval) the film grips one's attention firmly from beginning to end, with Auteuil a dashing Fairbanks-esque hero, Luchini a most hissable villain, and Gillain a damsel worth dying for. Sumptuous photography lovingly captures the epic sets and breathtaking outdoor locations without ever distracting from character, plot, or pace. [More]

Starring: Daniel Auteuil, Fabrice Luchini, Vincent Perez, Marie Gillain

Starring: Daniel Auteuil, Fabrice Luchini, Vincent Perez, Marie Gillain, Sacha Bourdo, Claire Nebout, Philippe Noiret, Didier Pain, Renato Scarpa, Jacques Sereys, Jean-François Stévenin, James-Spencer Thieree

Director: Phillippe De Broca

Director: Phillippe De Broca
Screenwriter: Phillippe De Broca, Jean Cosmos, Jerome Tonnerre
Producer: Patrick Godeau
Composer: Philippe Sarde
Studio: Empire Pictures

[See More Credits]

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Release:

Nov 30, 1999

No Details Exist
 
 

Reviews for On Guard

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1 - 20 (sorted by critic A-Z)
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Turns out to be a nifty swashbuckler whose plot easily could have been lifted from a number of Douglas Fairbanks silent pictures.

Full Review Source: Combustible Celluloid | comment Comment
12/31/02
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

The cast has a high time, but de Broca has little enthusiasm for such antique pulp.

Full Review Source: Village Voice | comment Comment
10/15/02
Michael Atkinson
Michael Atkinson
Village Voice
Top Critic Icon Top Critic

An awkward and indigestible movie.

Full Review Source: Chicago Tribune | comment Comment
01/03/03
Allison Benedikt
Allison Benedikt
Chicago Tribune
Top Critic Icon Top Critic

classic cinema served up with heart and humor

Full Review Source: Reeling Reviews | comment Comment
12/14/02
Laura Clifford
Laura Clifford
Reeling Reviews

“On Guard!” won’t be placed in the pantheon of the best of the swashbucklers but it is a whole lot of fun and you get to see the one of the world’s best actors, Daniel Auteuil, have a whale of a good time.

Full Review Source: Reeling Reviews | comment Comment
12/16/02
Robin Clifford
Robin Clifford
Reeling Reviews

Touché!

Full Review Source: TheMovieChicks.com | comment Comment
01/24/03
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

Too silly to take seriously.

Full Review Source: L.A. Weekly | comment Comment
11/07/02
Hazel-Dawn Dumpert
Hazel-Dawn Dumpert
L.A. Weekly

Boasting the best sword-fighting sequences to hit the screen in many years, it is so enjoyably old-fashioned it even looks as if it were made in the '70s.

Full Review Source: New York Post | comment Comment
10/18/02
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

This rip-snorting period yarn from France wisely follows two important rules of swashbuckling adventures: It never lets the action overwhelm the plot, and it never, ever takes itself too seriously.

Full Review Source: TV Guide's Movie Guide | comment Comment
10/17/02
Ken Fox
Ken Fox
TV Guide's Movie Guide

A big, gorgeous, sprawling swashbuckler that delivers its diversions in grand, uncomplicated fashion.

Full Review Source: San Francisco Chronicle | comment Comment
12/20/02
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

De Broca (who also co-wrote with Jean Cosmos) gives it a frisky energy.

Full Review Source: Los Angeles Daily News | comment Comment
11/08/02
Evan Henerson
Evan Henerson
Los Angeles Daily News

This is, not to put too fine a point on it, a swashbuckler, a costume drama. If you love that old story form, you will be in old-fogy heaven, as it is nearly a perfect example of a genre that died out years ago.

Full Review Source: Washington Post | comment Comment
11/27/02
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

One of the most splendid entertainments to emerge from the French film industry in years.

Full Review Source: Boxoffice Magazine | comment Comment
10/25/02
Wade Major
Wade Major
Boxoffice Magazine

For both the artsy foreign-film crowd and the blue-collar action-movie fans

Full Review Source: Movie Habit | comment Comment
05/18/03
Marty Mapes
Marty Mapes
Movie Habit

It's a tale well told and nearly irresistible.

Full Review Source: Detroit Free Press | comment Comment
12/24/02
John Monaghan
John Monaghan
Detroit Free Press
Top Critic Icon Top Critic

Despite its postdated irrelevance and its dopey title, this Daniel Auteuil vehicle is ludicrous fun.

Full Review Source: Boston Globe | comment Comment
01/03/03
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic

Wonderful fencing scenes and an exciting plot make this an eminently engrossing film.

Full Review Source: Citysearch | comment Comment
10/17/02
Michael Phillips
Michael Phillips
Citysearch

The film's frenetic action takes place across beautifully rendered landscapes, and the ever-lunging ambitiousness and ingenuity in its wordplay justifies the fencing term employed for the film's release in America.

Full Review Source: New York Observer | comment Comment
11/06/02
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

In the spirit of Voltaire and Molière, On Guard volleys great wit and deadly gestures in a milieu of lush apparel, landscapes, captivating music and 18th-century lacy sleeves.

Full Review Source: Metro Times (Detroit, MI) | comment Comment
12/27/02
Anita Schmaltz
Anita Schmaltz
Metro Times (Detroit, MI)

It was too silly and formulaic to get my undivided attention.

Full Review Source: Ozus' World Movie Reviews | comment Comment
03/23/04
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews
 
 
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