On_Line (2002)
Tomatometer
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Reviews Counted:39
Fresh:15
Rotten:24
Average Rating:4.6/10
Theatrical Release:Jun 27, 2003 Limited
Box Office: $25,658
Synopsis: Set in Manhattan's cybersex industry, "On_Line" at first appears to be about people getting off without ever touching (if you've never done it you'll learn, from one explosively directed sequence,... Set in Manhattan's cybersex industry, "On_Line" at first appears to be about people getting off without ever touching (if you've never done it you'll learn, from one explosively directed sequence, precisely how such a thing might happen). But the film, directed by Jed Weintrob – a digital junkie from the early days of interactive entertainment – has a lot more on its mind than just sex. John Roth (Josh Hamilton) runs a live erotic Website called Intercon-X. Though profitable, the site, which he owns with his roommate Moe (Harold Perrineau), keeps John at home in a state of perpetual frustration. We get the sense that John likes living this way: he works between shots of peppermint schnapps and webcam diary entries in which he pines for his ex-fiancée. Built around revealing and often funny streaming video sessions with net-izens like "man-on-man" host Al Fleming (John Fleck), Internet fantasy girl Jordan Nash (Vanessa Ferlito), self-destructive artist Moira Ingalls (Isabel Gillies) and Ohio innocent Ed Simone (Eric Millegan), "On_Line" uses a groundbreaking mix of new technology and romantic narrative to tell a classic New York story. [More]
Starring: Josh Hamilton, Harold Perrineau, Vanessa Ferlito, Isabel Gillies
Starring: Josh Hamilton, Harold Perrineau, Vanessa Ferlito, Isabel Gillies, John Fleck, Eric Millegan, Liz Owens
Director: Jed Weintrob
Director: Jed Weintrob
Screenwriter: Andrew Osborne, Jed Weintrob
Producer: Tanya Selvaratnam, Adam Brightman
Composer: Roger Neill
Studio: Indican Pictures
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Release:
Feb 24, 2004
Reviews for On_Line
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A [reasonably] compelling, refreshingly non-judgmental look at the newest phase of one-handed clapping. Full Review |
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Although far-fetched at times, On Line gives us likable enough characters and several laugh out loud moments. Director Jed Weintrob has a distinct visual flair. Full Review |
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With a fearlessness for being honest, the situations the characters find themselves in are embarrassing and laugh-out-loud funny. Full Review |
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Amateurish drivel, which is headed for Skinemax in a hurry. Full Review |
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The youthful cast is lively enough to make the enterprise almost work, presenting a time capsule of cyber- communication that should be more interesting 20 years from now. Full Review |
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A 90-minute hairy-palm horror show, one that will strike terror into the heart of anyone who shares a keyboard with a lonely, Web-crazed roommate. Full Review |
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Weintrob's stylish visuals mimic Web technologies, which succeed in making his characters seem all the more removed from reality. Now if someone would find a way to equip theater seats with a 'delete' key, we could be rid of them completely. Full Review |
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There's something so familiar and commonplace about this story and its characters -- and maybe that has something to do with how much the Internet is a part of our everyday lives -- it's hard to get particularly thrilled. Full Review |
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It does a good job of portraying the day-to-day life of these online obsessives, but we realize eventually that they are more interesting because they are online. Full Review |
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If you like scenes of characters sticking hands down their pants, this is the film for you. Full Review |
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A pleasant, small comedy that will have you smiling. Full Review |
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On_Line is the kind of thing I dread -- a movie about digital technology directed by an expert in interactive media and video games. Full Review |
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Doomed by Weintrob's passion for the Web, his passionless characters are little more than manipulated 'bots' -- and audiences, absenting possible hipster appeal, may vote more zeroes than ones for this digital tale. Full Review |
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At its heart, On_Line is just an old-fashioned movie about people, relationships and making connections in an isolated world. And in this sense, the movie is very successful. Full Review |
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Well-crafted late-night sleaze. Full Review |
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Take away the computers and DSL lines and it's the 1950s of Jules Feiffer and Mike Nichols and Elaine May all over again, without the shrewdness and bite. Full Review |
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| Tomatometer Percentage | Movie |
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| 88% 88% | Inglourious Basterds |
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