It somehow manages to pay homage to the old Hollywood musicals as it reinvents them. It's a film that's rooted in the real world yet also manages to transcend it.
Once (2007)
Tomatometer
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Reviews Counted:148
Fresh:143
Rotten:5
Average Rating:8.3/10
Consensus: A charming, captivating tale of love and music, Once sets the standard for the modern musical. And with Dublin as its backdrop, Once is fun and fresh.
Theatrical Release:May 18, 2007 Limited
Box Office: $9,199,193
Synopsis: The Irish romance ONCE may be a musical, but it is miles away from the traditional Hollywood idea of people bursting into song. Glen Hansard (frontman for indie rock band The Frames) plays the guy,... The Irish romance ONCE may be a musical, but it is miles away from the traditional Hollywood idea of people bursting into song. Glen Hansard (frontman for indie rock band The Frames) plays the guy, a street musician who is playing for change when he meets the girl (Marketa Irglova), an immigrant from the Czech Republic. The pair immediately bond over their shared love of music (he is a guitarist, and she plays the piano), and the film chronicles their tentative relationship. Both are weighed down by plenty of baggage: his songs are fueled by a painful breakup, and she is a young mother who left her husband behind in her native country. Like the independent favorite BEFORE SUNRISE, ONCE is a simple, sweet drama that doesn't rely on an elaborate plot. With its use of digital video and handheld cameras, ONCE matches its spare visual style to its intimate mood. Each moment feels stolen from real life, and the story is at once familiar and fresh. Driven more by music than by dialogue, ONCE features a stirring soundtrack of heartfelt indie rock sung by Hansard and Irglova. Before his foray into film, director John Carney (ON THE EDGE) played bass in The Frames, and his passion for music is clear in this modern musical that hits every note perfectly. [More]
Starring: Glen Hansard, Marketa Irglova, Bill Hodnett, Danuse Ktrestova
Starring: Glen Hansard, Marketa Irglova, Bill Hodnett, Danuse Ktrestova
Director: John Carney
Director: John Carney
Screenwriter: John Carney
Producer: Martina Niland
Studio: Fox Searchlight Pictures
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Reviews for Once
Once may not boast stellar production values or elaborate dance numbers, but in its own scruffy way it captures the spirit of the genre better than any recent Hollywood musical.
Communicates the world of the singer-songwriter brilliantly. That said, as a complete film on its own -- Once could be more fulfilling.
Unforgettable melody is the foundation of this heartfelt Irish romance that puts a twist on the movie musical.
This indie musical is a bijou of a film that joins unaffected performances and a compelling soundtrack in a low-budget, documentary-style film that lets us watch two people fall in love to the mesmerizing soundtrack of the songs they create.
May appeal especially to romantic young people who can develop crushes on the lead characters in tandem with the smittenness that emerges onscreen.
Captures the rare chemistry and unforced artistry of two people finding musical as well as personal harmony together and we are lucky enough to be there to watch it.
It deserves to be seen and offers more real human emotion than most of the year's would be box office busters.
Once doesn't plop its emotions on its characters' sleeves, and it trusts us enough to leave some of the best stuff unstated. In other words, it trusts us to know that half the music lies between the notes.
A soulful valentine to music, friendship and the joys of honest hard graft, played out in the bedsits and recording studios of a deglamourised Dublin.
A charming and endearing Irish film about two down-and-out individuals who collaborate on a musical project that deeply enriches them both in surprising ways.
In its brief running time, writer-director John Carney does something both profound and unexpected: He reinvents the movie musical as a genre of swooning rock 'n' roll realism.
Once transcends even its own ambitions, becoming a complex meditation on relationships, Irish culture, and music.
In some places the camerawork feels a little underwhelming, and at times the leads' inexperience in acting shows up in comparison to their musical performances, but overall it works as a quiet, wistful modern romance.
A romantic fairy tale of astonishing delicacy and emotional nuance. This movie is so good I wasn’t even bothered by [director] Carney never giving his characters names.
Couldn't be less bogus if James Blunt sat on a stage in front of an empty bar saying "this one's for the lady in the back."
It's a musical courtship--he on guitar, her on piano, and both in vocal harmony. It's also a scruffy cinematic sleeper with which anyone's liable to fall in love.
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