An ambitious misfire by a brilliant filmmaker.
One from the Heart (1982)
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Reviews Counted:27
Fresh:13
Rotten:14
Average Rating:5.8/10
Consensus: A misfire from director Francis Ford Coppola.
Runtime: 1 hr 40 mins
Genre: Dramas
Synopsis: Francis Ford Coppola directed this experimental musical about love in Las Vegas. Shot entirely at Coppola's Zoetrope Studios, the film stars Frederic Forrest (Hank) and Teri Garr (Frannie) as an... Francis Ford Coppola directed this experimental musical about love in Las Vegas. Shot entirely at Coppola's Zoetrope Studios, the film stars Frederic Forrest (Hank) and Teri Garr (Frannie) as an unhappy couple breaking up on their five-year anniversary. Frannie is courted by a piano player/waiter, Ray (Raul Julia), who promises to take her away on a much-needed vacation. Hank and his friend Moe (Harry Dean Stanton) encounter a beautiful circus performer, Leila (Natassja Kinski), who Hank manages to get a date with. The two couples dance their way through the streets of Las Vegas on Fourth of July evening to the songs of Tom Waits, sung by Crystal Gayle and Waits. But Frannie and Hank find it hard to forget each other, and the mood and music of the film lead the couple toward melancholy romances. In the controlled studio environment, Coppola was able to use video as an innovative aid to filmmaking and postproduction. [More]
Starring: Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski
Starring: Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski, Lainie Kazan, Harry Dean Stanton, Allen Goorwitz, Jeff Hamlin, Italia Coppola, Carmine Coppola, Edward Blackoff, James Dean, Rebecca De Mornay, Javier Grajeda, Cynthia Kania, Monica Scattini
Director: Francis Ford Coppola
Director: Francis Ford Coppola
Producer: Armyan Bernstein, Gray Frederickson, Fred Roos
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Reviews for One from the Heart
While it was a fascinating filmmaking experiment in its day -- One From The Heart was initially released in 1982 -- it has not time-travelled very well.
There are plenty of movies out there that deserve to be re-released for a whole new generation of moviegoers to enjoy - this is not one of them.
It isn't very good, but at least the highly touted technology is put firmly in the service of the (sometimes painfully sincere) emotions that Francis Ford Coppola wants to communicate, which is more than you can say for Apocalypse Now.
| Tomatometer Percentage | Movie |
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| Tomatometer Percentage | Movie |
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