In this wonderfully musical, funny, good-hearted movie, the strong don't just survive, they thrive.
Only the Strong Survive (2003)
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Reviews Counted:45
Fresh:28
Rotten:17
Average Rating:6/10
Consensus: Though this documentary could be more informative, the performances themselves are wonderful.
Rated: PG-13 [See Full Rating] for brief language and a drug reference
Runtime: 1 hr 35 mins
Genre: Musical & Performing Arts
Theatrical Release:May 9, 2003 Limited
Synopsis: Influential documentarian D.A. Pennebaker, perhaps best known for his 1967 Bob Dylan documentary DON'T LOOK BACK, co-directs ONLY THE STRONG SURVIVE, a fascinating look at some of the most... Influential documentarian D.A. Pennebaker, perhaps best known for his 1967 Bob Dylan documentary DON'T LOOK BACK, co-directs ONLY THE STRONG SURVIVE, a fascinating look at some of the most influential soul musicians from the 1960s and 1970s. Pennebaker's film centers around the survivors from this tumultuous period in soul music, talking at length to Sam Moore, Wilson Pickett, Rufus Thomas, Mary Wilson, and Isaac Hayes amongst others. All have a bittersweet story to tell of their time in the business, many having experienced the euphoric highs of chart success, followed by a fall from grace, and a late resurrection of their careers upon which this film focuses. Clearly enjoying their twilight years in the spotlight, the featured artists display a mixture of talent, humor, and a sense of gratitude that they have survived for so long in the often-cutthroat music industry. 80-year-old Rufus Thomas perhaps best exemplifies their spirit, taking to the stage with all the energy and enthusiasm of a 25-year-old, he proves that age and a troubled past are no obstacle to providing a compelling, moving performance. An essential film for soul fans, ONLY THE STRONG SURVIVE is a moving human-interest story which manages to reach beyond its target audience by providing a heartwarming tale of survival against seemingly insurmountable odds. [More]
Starring: William Bell, Isaac Hayes, Sam Moore, Wilson Pickett
Starring: William Bell, Isaac Hayes, Sam Moore, Wilson Pickett, Rufus Thomas, Carla Thomas, The Chi-Lites
Director: Chris Hegedus, D.A. Pennebaker
Director: Chris Hegedus, D.A. Pennebaker
Producer: Roger Friedman
Studio: Miramax Films
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Release:
Feb 3, 2004
Reviews for Only the Strong Survive
A film that even with its flaws should be cheered for preserving the later years of these towering musical talents.
Dives deep into the soul and rhythm-and-blues genres, spotlighting some first-rate performers who are still making powerful, vibrant music.
I would have prefered deeper insights... [but] as a concert film, this one’s a blast.
A human and warm film, in the vein of the mellow, though quite different, 'Jazz on a Summer's Day' and 'Round Midnight.'
Only the Strong Survive offers a joyous tribute to soul music with some of the best singers of the 60s and 70s strutting their stuff on stage.
Only the Strong Survive is a joyous tribute to soul music with some of the best singers of the 60s and 70s strutting their stuff on stage.
Winningly revived soul music, reports of whose death have been grossly exaggerated.
Lacks the journalistic hook of Standing in the Shadows of Motown, but there are moments that will induce the susceptible to break into a big foolish grin.
The scrappy country cousin to the high-gloss Standing in the Shadows of Motown.
Invaluable as a record of its subjects (including the late, great Rufus Thomas), but it doesn't cohere as a feature...
It's fascinating to watch a group of artists who still get an enormous buzz from performing.
The film offers a terrific lineup, performers whose ability to enthrall audiences is undiminished years after their peak of popularity.
An entertaining documentary that catches up with R&B and soul superstars whose heydays were in the '50s to '70s.
Must be appreciated as an idiosyncratic chronicle as well as a collection of performances, some better than others.
These survivors share a timelessness and a universality that remain untouched by the fickle shifts of popular culture.
Worth the time and money some of the summer's effects-driven spectacles probably won't be.
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