Remains a film of electric drama and high emotion, as well as a major turning point in film history.
Open City (1945)
Tomatometer
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Reviews Counted:19
Fresh:19
Rotten:0
Average Rating:8.8/10
Runtime: 1 hr 45 mins
Genre: Foreign Films
Synopsis: Roberto Rossellini's OPEN CITY (ROMA CITTA APERTA) is a landmark in the history of cinema, a humanist masterpiece and one of the earliest incarnations of Italian neorealism. Based on real events,... Roberto Rossellini's OPEN CITY (ROMA CITTA APERTA) is a landmark in the history of cinema, a humanist masterpiece and one of the earliest incarnations of Italian neorealism. Based on real events, it tells the harrowing story of several Italian Resistance fighters battling fascism in Nazi-occupied Rome. When Gestapo agents raid an apartment where Manfredi (Marcello Pagliero), a prominent member of the underground, is hiding, they arrest the young man who gave him refuge. Manfredi manages to escape, then enlists the help of a parish priest, Don Pietro (Aldo Fabrizi), to make a clandestine delivery to other members of the movement. Eventually, Manfredi is betrayed, and he and the priest are quickly captured by the Germans; what follows is one of the most brutally disturbing war torture scenes ever recreated on screen. With OPEN CITY, Rossellini has created a testament to the strength of the human spirit in the face of horrible adversity, in a story that extols the heroism of defiant, ordinary people who strive to hold onto their humanity in the cold, chaotic world of WW II. The film was nominated for an Oscar for Best Screenplay; Fellini collaborated with Rossellini in the writing of the script. OPEN CITY is all the more remarkable in that it was made immediately following the liberation of Rome, had been developed while Rossellini himself was in hiding, and was filmed in the locations where the true events that the story is based on, occurred. [More]
Starring: Anna Magnani, Aldo Fabrizi, Marcel Pagliero
Starring: Anna Magnani, Aldo Fabrizi, Marcel Pagliero
Director: Roberto Rossellini
Director: Roberto Rossellini
Composer: Renzo Rossellini
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Reviews for Open City
The total effect of the picture is a sense of real experience, achieved as much by the performance as by the writing and direction.
Its realistic treatment of everyday Italian life heralded the postwar renaissance of the Italian cinema and the development of neorealism; the film astonished audiences around the world and remains a masterpiece.
Announcing the arrival of a new, revolutionary paradigm, Italian neorealism, Rossellini's masterpiece shows the tension between his realistic docu-style and use of some melodramatic devices, but flaws are overcome by unified vision and political fervor
The rough cinéma vérité appearance achieved in Open City, with its natural lighting and uneven film stock, was more due to economic and pragmatic considerations
The true "realism" comes from within the film and from the sense of artists banded together to make something because they had something to say.
Pedra fundamental do neo-realismo italiano, o filme traz atuaçőes marcantes de Magnani e Fabrizi e ainda hoje (quase seis décadas desde sua realizaçăo) provoca forte impacto.
Stunned audiences the world over recognized in it an unmediated authenticity more evocative of the documentary quality of wartime newsreels than of conventional WWII dramas.
| Tomatometer Percentage | Movie |
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| 66% 66% | Public Enemies |
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