Opera (1987)
Average Rating: 6.8/10
Reviews Counted: 12
Fresh: 10 | Rotten: 2
No consensus yet.
liked it
Average Rating: 3.7/5
User Ratings: 6,894
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Movie Info
The polar-opposite worlds of opera and horror collide in this gory giallo film from director Dario Argento. Christina Marsillach (Tom Hanks' romantic interest in Every Time We Say Goodbye) stars as Betty, a beautiful understudy who gets an unlikely break to play the female lead in a contemporary opera of Verdi's Macbeth. Her fear of Macbeth's notorious curse proves to have foundation when a psychopath with a strange connection to Betty murders a stage hand in the midst of her debut and later
Oct 30, 2001
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Cast
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Christina Marsillach
Betty -
Urbano Barberini
Insp. Alan Santini -
Daria Nicolodi
Mira -
Ian Charleson
Marco -
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William McNamara
Stefan, Urbano -
Francesca Cassola
Alma -
Coralina Cataldi-Tassoni
Giulia -
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All Critics (15) | Top Critics (1) | Fresh (11) | Rotten (2) | DVD (14)
Italian horror master Dario Argento may have the most lopsided strengths and weaknesses of any director I've experienced.
An art film through and through, though it be an art film with an unusual number of bloody deaths... one of Argento's most memorable films.
Argento's masterful use of colors and music keep help to keep the film feeling fresh.
Singing its praises!
Stylish, but inane and sadistic Argento thriller.
Argento's Opera is a film of rare beauty, a celebration of love's absence and the ferocious force of the gaze.
With its grand scale and brooding themes, the art of opera fits neatly with Argento's lavish stylistics and dark preoccuptations as a filmmaker
very possibly a dark parody of The Sound of Music
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Cristina Marsillach plays Betty, a beautiful young opera understudy who is given a shot at fame (in an avant-garde production of Macbeth) when the star of the show is hit by a car. As any thesp who has 'trod the boards' will know, Macbeth is a production that carries a curse-and Betty soon discovers that the show in which she is now the star is no exception: a killer is systematically offing the staff at the theatre-and poor Betty is forced to watch by the sadistic murderer (who tapes needles under her eyes to prevent her from closing them!).
With the help of a little girl who crawls through her air-conditioning ducts, her director and agent, and a few ravens who have seen the murderer's face (!!!), Betty discovers the killer's identity, and the truth about her mysterious past.
Let's face it... Opera is one crazy film, with its preposterous plot-turns, convoluted death scenes, and an ending that beggars belief. And whilst director Dario Argento has never been one for, shall we say, conventional story lines, this particular giallo is so daft, and features so many of his trademark stylish touches (all ramped up to the max), that it's almost as if, with each successive film, he is seeing what he can get away with (at times almost parodying his earlier work).
This is exactly why I find the film such fun!!!
Argento's camera movements are absolutely incredible: gliding, creeping and, in one amazing scene, even swooping around the opera house above the audience; the power of Verdi's music is combined perfectly with the synth majesty of Claudio Simonetti's score, providing a suitably grandiose accompaniment to the sumptuous visuals; and several outstanding set-pieces (featuring Sergio Stivaletti's nauseating gore FX) go to prove that no-one does death better than Argento (check out one character's stunning demise, in which a bullet passes through a spy-hole in a door in slow motion, and straight into their eye!).