Average Rating: 5/10
Reviews Counted: 20
Fresh: 9 | Rotten: 11
No consensus yet.
Average Rating: 4.8/10
Critic Reviews: 8
Fresh: 4 | Rotten: 4
No consensus yet.
liked it
Average Rating: 3.1/5
User Ratings: 51
Jon Dichter directs this taut psychological thriller about a narcissistic man getting his overdue comeuppance from a vengeful telephone operator. Lawyer Gary Wheelan (Michael Laurence) lives the good life -- he has a beautiful wife, a huge bank account, and an excess of young female associates. He is accustomed to getting what he wants, and he tends to have a fit when he does not get it. Dissatisfied with his phone service, he berates the operator with such vituperation that the badly rattled
Mar 4, 2000 Wide
Mar 19, 2002
Black Wolf Productions
All Critics (21) | Top Critics (9) | Fresh (9) | Rotten (11)
The movie goes way over the top near the end, but unlike Hollywood films, which would've added violence and a car chase, The Operator's excesses all are in keeping with its theme.
Except for its excesses and too-easy end, Mr. Dichter's original script takes us into Coen country.
The problem with the central character is that he starts off on such a low note of weak resistance that he doesn't have all that far to fall.
Ends up feeling suffocatingly self-centered.
The closer we get to unveiling Shiva ... the more ludicrous a conceit she becomes.
A nifty little indie sleeper.
This debut film from local writer-director Jon Dichter has an interesting concept, but its execution feels a bit amateurish, especially in the dialogue.
...Dichter expects us to accept his abrupt transformation from ruthless player to spiritual convert with nothing more than a teary confession.
... a showcase for Michael Laurence, a little-known New York theater actor, who delivers a persuasive and finely detailed portrait of a despicable man.
The film would benefit from another pair of eyes.
The kind of picture for which the phrase 'shows promise' was invented...As a theatrical offering, though, it's way out of its league.
Though clearly shot on a shoestring, it's handsome, tightly written and generally well acted.
It's not very often you get to see a feature film in which Hindu, Buddhist, and Christian wisdom work together to save a person's soul.
A pretty good time, especially considering its obvious budget constraints.
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| 45% | The Rebound |
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