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Osama (2003)
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Reviews Counted:100
Fresh:96
Rotten:4
Average Rating:7.8/10
Consensus: Osama is bitterly honest, deeply disturbing, and utterly worth watching.
Theatrical Release:Jan 30, 2004 Limited
Box Office: $1,127,331
Synopsis: A 12-year-old girl, her mother, and a local village boy narrowly survive the brutal end of a peaceful demonstration organized by women who are oppressed by the cruel Taliban regime. After... A 12-year-old girl, her mother, and a local village boy narrowly survive the brutal end of a peaceful demonstration organized by women who are oppressed by the cruel Taliban regime. After witnessing such inhumane treatment, the mother is reminded of her own hardships as she and her daughter struggle to maintain their existence. With the young girl's father and brother killed, they must find any source of income they can while hiding it from the strict Taliban, which mandates that no woman may work or be outside the home without a legal male companion. The mother and her daughter care for patients at a sparse, under-stocked hospital run by foreigners. After a Taliban raid, the hospital is shut down and the mother and daughter are without income. Desperate for any type of job, the mother is forced to cut her daughter's hair and dress her as a boy so that she might earn money for the family. The mother pleads with a grocer who knew her husband to help her and hire the young girl to work in his store. He agrees and attempts to protect the girl - now disguised as a boy - and teach her how to be more convincing. One afternoon, the Taliban's religious police force all the men to a mosque for prayer. The girl, unfamiliar with the ways men pray, makes several mistakes and raises suspicion with one of the Taliban officials overseeing the ritual. He approaches the grocer and the girl after the prayers and questions them. The girl is filled with fright, but with the grocer's help dispels the official's doubt. The following day, all the boys of the village are corralled and taken to the Madrassa, a religious school which doubles as a center for Taliban military training. While attending the school, the girl's masculinity is constantly called into question. The young village beggar from the first scene, aware of the girl's secret, interjects and helps her, concealing her true identity by declaring her name is Osama. After increasing suspicions surface with the students and Taliban instructors, the girl is punished for not being able to complete a task proving her masculinity. In the end, the girl's own physiology defies her to reveal her true identity. As a result of her monumental lie, she is put on trial in front of the Taliban court and sentenced to marry an old Mullah. Upon arriving at his home, the destitute girl discovers he has three other wives - and she's forced to join them in their miserable world. [More]
Director: Siddiq Barmak
Director: Siddiq Barmak
Producer: Mohsen Makhmalbaf
Studio: MGM/UA
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Reviews for Osama
I found Mr. Barmak's direction too by-the-numbers, and Ms. Goldbahari's Osama a one-note performance in her relentlessly whimpering (though perfectly understandable) self-pity.
...the sad truth is that potential viewers would be far better off watching a documentary on the rise and fall of the Taliban.
Focuses more on the relentless hardships and suffering than on the characters experiencing them.
Feel vindicated in the mad incongruity of popular foreign policies advocating war with "the other" for the sake of the innocents.
Siddiq Barmak's film is the first feature made in Afghanistan since before the rise of the Taliban an impressive achievement made more so by the director's sure and subtle artistry.
captures with a terrifying purity . . . the claustrophobia of being trapped . . .within the confines of one’s own body in a land where being female has been criminalized
Reminiscent of Agnieszka Holland’s 1990 drama Europa Europa, this award-winning Afghani film paints yet another harrowing tale of human survival.
Its central performance by young Marina Golbahari registers a terrorized and unforgettable personal response to pervasive mass intimidation.
Traps you in a quicksand pull, slowly sucking you into its world until it's too late to escape unscathed.
It's not just a message that must be told; it's also a bold, beautiful and deeply moving piece of film art.
Although the subtitles here sometimes seem flat and repetitive, art-house audiences will find in the poignant dignity of the women of Afghanistan images of lasting beauty, courage and grace.
A harrowing look at a disturbingly recent time that seems more rooted in a barbaric, distant past.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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