I wanted to scream at Osama: Look, your life is at stake, stop crying and climb the tree like a boy!
Osama (2003)
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Reviews Counted:100
Fresh:96
Rotten:4
Average Rating:7.8/10
Consensus: Osama is bitterly honest, deeply disturbing, and utterly worth watching.
Theatrical Release:Jan 30, 2004 Limited
Box Office: $1,127,331
Synopsis: A 12-year-old girl, her mother, and a local village boy narrowly survive the brutal end of a peaceful demonstration organized by women who are oppressed by the cruel Taliban regime. After... A 12-year-old girl, her mother, and a local village boy narrowly survive the brutal end of a peaceful demonstration organized by women who are oppressed by the cruel Taliban regime. After witnessing such inhumane treatment, the mother is reminded of her own hardships as she and her daughter struggle to maintain their existence. With the young girl's father and brother killed, they must find any source of income they can while hiding it from the strict Taliban, which mandates that no woman may work or be outside the home without a legal male companion. The mother and her daughter care for patients at a sparse, under-stocked hospital run by foreigners. After a Taliban raid, the hospital is shut down and the mother and daughter are without income. Desperate for any type of job, the mother is forced to cut her daughter's hair and dress her as a boy so that she might earn money for the family. The mother pleads with a grocer who knew her husband to help her and hire the young girl to work in his store. He agrees and attempts to protect the girl - now disguised as a boy - and teach her how to be more convincing. One afternoon, the Taliban's religious police force all the men to a mosque for prayer. The girl, unfamiliar with the ways men pray, makes several mistakes and raises suspicion with one of the Taliban officials overseeing the ritual. He approaches the grocer and the girl after the prayers and questions them. The girl is filled with fright, but with the grocer's help dispels the official's doubt. The following day, all the boys of the village are corralled and taken to the Madrassa, a religious school which doubles as a center for Taliban military training. While attending the school, the girl's masculinity is constantly called into question. The young village beggar from the first scene, aware of the girl's secret, interjects and helps her, concealing her true identity by declaring her name is Osama. After increasing suspicions surface with the students and Taliban instructors, the girl is punished for not being able to complete a task proving her masculinity. In the end, the girl's own physiology defies her to reveal her true identity. As a result of her monumental lie, she is put on trial in front of the Taliban court and sentenced to marry an old Mullah. Upon arriving at his home, the destitute girl discovers he has three other wives - and she's forced to join them in their miserable world. [More]
Director: Siddiq Barmak
Director: Siddiq Barmak
Producer: Mohsen Makhmalbaf
Studio: MGM/UA
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Reviews for Osama
Aided by Golbahari's remarkably convincing lead performance, Barmak generates considerable suspense over the fate of Osama and her female relatives.
Osama is an exposing, opinionated, frighteningly frank and fascinating film. It's also an actual Afghani film, so It's amazing it even got made.
...asks irresistible questions about the sexist inequality rampant in modern-day Islam.
It's not just a message that must be told; it's also a bold, beautiful and deeply moving piece of film art.
Imagine if we could see films from previous centuries -- records of slavery, the Great Fire of London, the Black Plague. Osama is like a film from some long-ago age.
Derives most of its power from providing a clear window on a previously obscured world.
Great films like Osama, thoughtfully considered, give us the ability to withhold blanket judgments and come that much closer to the truth.
Filmado apenas em locações, provoca um impacto ainda maior ao mostrar um país destruído pela guerra – evocando, neste sentido, o inesquecível Alemanha, Ano Zero.
Barmak tells his story without a ton of explanation... often, we have no more idea of what's going on than our hero does, which increases the film's sense of danger and fear.
Gives real insight into a part of the world that likely will dominate our newscasts and newspapers for years to come...
If recent Martian visitors viewed this film about the Taliban, they'd think that Earth got stuck in the 7th Century.
Focuses more on the relentless hardships and suffering than on the characters experiencing them.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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