A wonderful, wistful twist on Rear Window.
The Other Side of the Street (2005)
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Reviews Counted:36
Fresh:27
Rotten:9
Average Rating:6.4/10
Theatrical Release:Feb 25, 2005 Limited
Synopsis: First-time Brazilian director Marcos Bernstein makes his debut with this visually rich, superbly acted drama. Starring Academy Award-nominated actress Fernando Montenegro (CENTRAL STATION) and... First-time Brazilian director Marcos Bernstein makes his debut with this visually rich, superbly acted drama. Starring Academy Award-nominated actress Fernando Montenegro (CENTRAL STATION) and acclaimed Brazilian actor Raul Cortez, THE OTHER SIDE OF THE STREET offers a fresh perspective on what it means to grow old in a world preoccupied with youth. Regina is a 65-year-old woman living alone in Copacabana who is having trouble coming to terms with the way the world sees her. In avoidance of the routine existence expected of people her age, Regina works part-time as a police informant, using the invisibility that comes with her age in a host of potentially dangerous situations. When not supplying tips to the police, Regina sits in her dining room window peering out at the apartment complex across the way. Regina's closest connection to the world is through her binocular lenses. But that changes when she witnesses a murder and becomes obsessed with the investigation. As Regina becomes involved with Camargo, the murder suspect, she is forced to retire her role of observer, and become an active participant. Regina is an interesting character in that she simultaneously craves companionship and pushes people away, her utter disconnect in society contrasting with her desire to be a part of everything around her. Though the world dismisses her as old, Regina stays young at heart through her strong sense of curiosity. This characteristic is well-developed through the film's visual style and music, which explores the intense emotion and voyeuristic tendencies augmented by loneliness and isolation. Rather than being preoccupied with their own mortality, Regina and Camargo are invested in living life to the fullest. [More]
Starring: Fernanda Montenegro, Raul Cortez, Laura Cardoso, Luis Carlos Persy
Starring: Fernanda Montenegro, Raul Cortez, Laura Cardoso, Luis Carlos Persy, Milene Pizarro
Director: Marcus Bernstein
Director: Marcus Bernstein
Screenwriter: Marcus Bernstein, Melanie Dimantas
Studio: Strand Releasing
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Reviews for The Other Side of the Street
A mystery that isn't suspenseful so much as realistic, in which the detective's motivation is understandable and the story moves the way life does, instead of as a thrill ride.
And at its best, it not only shows us life on the other side of the courtyard. It shows us filmmaking on the other side of the hemisphere.
Montenegro does wonders in her long silences, and makes her love scene with the eager 72-year-old Cortez look like a hookup at Club Med.
Ms. Montenegro's rough-hewn integrity is the one quality that ennobles The Other Side of the Street, an otherwise confused mixture of cat-and-mouse thriller and sentimental old folks' love story.
What begins as a geriatric Rear Window opens into a poignant tale of autumnal intimacy.
An unusual Brazilian drama that shows it's never too late to move beyond the barriers of class, fear, and habit for the prize of love.
An absorbing new spin on the ingenious Rear Window concept, with poignant comments on aging in modern society.
A modest character study of lonely elderly urbanites posing as a Rear Window-esque thriller
Montenegro is constantly engaging; but while her dry delivery enhances the perceptive nature of Bernstein's dialogue, she can't transcend the script's low-key aspirations.
Although less than riveting as a thriller, the film does offer a moving portrait of two aged, emotionally wary people beginning to open up to each other both emotionally and physically.
Acerta em sua ambientação e na caracterização da dupla principal. Pena que falhe em todo o resto.
An eloquent social statement, quietly railing against an uncaring and increasingly impersonal society that overlooks the humanity in all of us.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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