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Our Lady of the Assassins (2001)
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Reviews Counted:21
Fresh:15
Rotten:6
Average Rating:6.8/10
Consensus: Director Barbet Schroeder presents a bleak, darkly humorous drama about hopeless love in Medellin, Colombia.
Rated: R [See Full Rating] for strong violence, language, sexuality, and drug content
Runtime: 1 hr 41 mins
Genre: Foreign Films
Theatrical Release:Sep 7, 2001 Limited
Synopsis:
The writer Fernando Vallejo returns to Medellin, the city of his childhood, after an absence of over thirty years. Fernando meets Alexis, 16 years old, in a boys' brothel. Alexis comes from the...
The writer Fernando Vallejo returns to Medellin, the city of his childhood, after an absence of over thirty years. Fernando meets Alexis, 16 years old, in a boys' brothel. Alexis comes from the slums. He has been drawn into a world of killing.
Love begins to blossom between Fernando and Alexis. But their love has no future… it is condemned before the fact by the harsh reality around them.
Anyone who crosses his path can be a possible victim. Alexis needs no reason to kill: like an Angel of Death, he openly fires on anybody who rubs him the wrong way…
Bound by their passion for each other, they wander from church to church, murder to murder, each day their love growing stronger.
Then one day, a passing motorcyclist shoots Alexis down.
He roams the streets where, in spite of the squalor and violence, everything reminds him his romance with Alexis. One day, he meets a young boy, Wilmar, who at first glance looks like Alexis.
A new love story begins for Fernando, as if in this city reality has been turned upside down, and the dead seem to come alive again. -- © 2001 Paramount Classics
Starring: German Jaramillo, Anderson Ballesteros, Juan David Restepo, Manuel Busquets
Starring: German Jaramillo, Anderson Ballesteros, Juan David Restepo, Manuel Busquets
Director: Barbet Schroeder
Director: Barbet Schroeder
Screenwriter: Fernando Vallejo
Producer: Margaret Menegoz, Barbet Schroeder
Composer: Jorge Arriagada
Studio: Paramount Classics
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Reviews for Our Lady of the Assassins
The film's title is appropriate. A desperate Catholicism flavors the doomed city.
We never come to care about these characters, perhaps because they seem to care so little about themselves.
A harrowing and sobering tale of self-discovery in a civilization on the verge of collapse.
Restraint, authentic feeling, economy of means are distinguishing marks in [Schroeder's] work here.
The grimness of the movie becomes not only too unbearable, its point is clear about halfway through.
Infused with an unnerving, bitterly nihilistic humor that comes off poignant rather than cheap.
Our Lady mixes violence and dark humor on the one hand, but with a tender yearning for kindness.
The whole film seems to keel over at the end, weary and debilitated by the savagery it chronicles. But the urgency and sadness resound in its wake.
It's hard to care much about world-weary Fernando, with his portentous talk about coming home to die, or the inconsiderate Alexis.
Barbet Schroeder has made many provocative films in many places but none as profound in impact as Our Lady of the Assassins.
Its authenticity derives not only from the streets on which it was filmed but also from its able Colombian cast.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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