It's a weirdly compelling, karma-threatening laugh at the expense of someone who got the beatdown he deserved.
Overnight (2004)
Tomatometer
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Reviews Counted:76
Fresh:60
Rotten:16
Average Rating:6.7/10
Consensus: This absorbing but wince-inducing documentary is a cautionary tale about the costs of hubris in the world of indie film.
Rated: R [See Full Rating] for pervasive strong language, sexual references and some nudity.
Runtime: 82 mins
Genre: Musical & Performing Arts
Theatrical Release:Nov 10, 2004 Limited
Synopsis: The feature debut of Mark Brian Smith and Tony Montana, OVERNIGHT had its world premiere at the 2004 Sundance Film Festival, where its alternately horrifying and hilarious take on one man’s... The feature debut of Mark Brian Smith and Tony Montana, OVERNIGHT had its world premiere at the 2004 Sundance Film Festival, where its alternately horrifying and hilarious take on one man’s extraordinary misadventures in the screen trade had particular resonance for both industry insiders and aspirants. And, what makes this incredible tale even more scary and funny is that every single bit of it actually happened! OVERNIGHT begins as the classic Cinderella story when Boston-bred bartender and budding filmmaker Troy Duffy sells his screenplay, “The Boondock Saints,” to Harvey Weinstein of Miramax Films. A bidding war gets Duffy much more than a hefty check; it also gets him the right to direct the film plus a deal for his band to produce and perform its soundtrack. Then, in a gesture straight out of a fairy tale, Weinstein offers to buy Duffy the very bar in which he works, turning the young man and his yet-to-be-made movie into overnight sensations. Buoyed by his prospects, Duffy allows his then-colleagues Smith and Montana to document his conquest of Hollywood but, from their uniquely intimate perspective, what they captured was quite the opposite: following several months of restless development and reckless missteps, Duffy slides from A-List to blacklist. Calls go un-returned, his film is dropped by Miramax, is revived by a minor company at half its original budget, then ultimately consigned to the video bins. Midnight comes for Cinderella… Smith and Montana, who hitched a ride with Duffy then witnessed and survived the crash, have made an eye-opening cautionary tale that should be must-see viewing for anyone who has ever dreamed of show business success—which is probably everyone! -- © ThinkFilm [More]
Starring: Troy Duffy, Harvey Weinstein
Starring: Troy Duffy, Harvey Weinstein
Director: Mark Brian Smith, Tony Montana
Director: Mark Brian Smith, Tony Montana
Producer: Tony Montana, Mark Brian Smith
Studio: ThinkFilm
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Reviews for Overnight
Enjoyable because you get to see a huge ego and shameless publicist get his comeuppence.
In answer to Troy Duffy's question, "Who is this idiot Jerry Bruckheimer?", he's the guy opening National Treasure opposite your spectacularly documented flameout.
A compulsive, cautionary tale about a man whose self-trumpeted ‘deep cesspool of creativity’ seems destined to remain undredged.
Schadenfreude aside, what makes Overnight so riveting is the absolute certainty of Troy in his own destiny
By the end of this cautionary tale, you feel like you've seen a guy get a shot at the big time and end up nowhere, a fate he richly deserves.
A disturbing, sad and blisteringly funny cautionary tale, I reckon this is the documentary of the year.
For anyone who gets a kick out of watching car wrecks, you really can’t do much better than this.
A depressing look into the Hollywood dream factory... one that rightfully should turn off many who fantasize of becoming the next Steven Spielberg or David Fincher
Overnight is a pungent documentary that details the awful, groping evanescence of Hollywood buzz.
By the end of this movie, you'll be sick of the sound of this guy's voice.
If this documentary finds an audience I wouldn't be surprised to see Duffy make a comeback as an actor, playing the heavy in low-budget action movies. He certainly gives a jaw-dropping performance here.
Overnight always holds our interest, not so much as a documentary as an episode of a junky reality TV show.
It's like watching a runaway train race down a mountain: We know that a crash is coming; we just don't know how many casualties there will be.
It probably doesn't appeal to its audience's loftiest instincts, but it certainly is appealing: Watching an eminently deserving egomaniac get his comeuppance.
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