The film's title is not so much in reference to the addiction that claimed a man as it is a warning and an invitation to embrace a collective shadow.
Owning Mahowny (2003)
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Reviews Counted:92
Fresh:72
Rotten:20
Average Rating:7/10
Consensus: This story of addiction may lack the typical flash and glamour, but Hoffman makes Mahowny compelling.
Theatrical Release:May 2, 2003 Limited
Box Office: $726,886
Synopsis:
Polite, mild-mannered Dan Mahowny is an assistant bank manager with a head for numbers, a knack for making decisions, and a devastating appetite for gambling. Dan Mahowny is the unlikely hero who...
Polite, mild-mannered Dan Mahowny is an assistant bank manager with a head for numbers, a knack for making decisions, and a devastating appetite for gambling. Dan Mahowny is the unlikely hero who takes on two of the financial institutions everyone loves to hate, the bank and the casino, and, for a brief while, he wins.
The most remarkable thing about this phenomenal story of $10.2 million of siphoned bank funds, staggering levels of embezzlement, and millions upon millions of dollars funnelled through the gambling networks, is that its central character is unphenomenal. He doesn’t gamble for material wealth. He isn’t interested in the glamorous perks casinos offer big spenders. It never occurs to him to save any of his winnings. He lives for the thrill of the bet. And that thrill drives him to incredible lengths of ingenuity and stamina. He is, in the purest sense imaginable, an addict.
The backdrop of the story is 1982, deemed by economists as the beginning of the excessively profitable Reagan bull market. Banking confidence is high and scrutiny is low. This tidily overlaps with the world of casinos which are a stock exchange for the libido. It is a limitless world based on win or lose, where the win always seems within reach, yet stretches to infinity.
By day, Mahowny works obsessively in the bank; by night, he gambles obsessively on sports, ponies and at the gaming tables, but he is no Jekyll and Hyde. His personality remains constant throughout. So contradictory, yet complementary, is his behaviour that his girlfriend, Belinda, a clerk at the same branch, has to struggle to reconcile their romance.
Indulged by the management of the bank which flatters itself for having found its own wunderkind, nurtured by the Atlantic City casino manager who sees the banker as a meal ticket to Vegas, Mahowny finds himself in a gambler’s paradox - playing with increasing odds in order to win back the limitless funds which are his to take as long as he doesn’t get caught.
When this reluctant high-roller is finally arrested, Mahowny reveals that since his twelfth birthday, he hadn’t gone more than 72 hours without placing a bet. His compulsive nature comes to the surface in a most astonishing way - he asks the police to call the bank. He’s worried about being late for work. -- © 2002 Sony Pictures Classics
Starring: Philip Seymour Hoffman, Minnie Driver, Maury Chakin, John Hurt
Starring: Philip Seymour Hoffman, Minnie Driver, Maury Chakin, John Hurt, Sonja Smits, Ian Tracey, Chris Collins
Director: Richard Kwietniowski
Director: Richard Kwietniowski
Screenwriter: Maurice Chauvet
Producer: Seaton McLean, Alessandro Camon, Edward R. Pressman
Studio: Sony Pictures Classics
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Reviews for Owning Mahowny
With its protagonist relegated to the emotional sidelines the film coasts along on brisk efficiency, chronicling heedless self-destruction with a detachment that's positively glacial.
More of a character study than a drama, this engrossing film benefits from yet another carefully nuanced performance from Philip Seymour Hoffman as the titular Mahowny.
Mr. Kwietniowski's mellow and diminutive story of obsession lacks the tall-tale perversity of his previous Love and Death on Long Island.
In the acting department, there's nobody on the current scene with more sheer talent -- or offbeat charisma -- than Philip Seymour Hoffman, in whose bearish body nestles the heart of a lithe and limber artist.
The terrific concentration Hoffman brings to the part, his bi-play with Hurt, and the emerging presence of Driver as a woman whose love for a man remains undiminished go a long way to hold attention through a dauntingly elliptical plot.
Richard Kwietniowski's deliberately paced film attempts to externalize the very internalized agony of gambling addiction. The results are only partially successful, depending much on your propensity for watching Philip Seymour Hoffman perspire.
[Kwietniowski] tracks his lost hero's descent with a cool, precise visual style that’s humanized by Hoffman's unerring ability to seem at once dull, decent and out of control.
A fascinating look at addiction that's perhaps a little too clinical for its own good.
It’s clear halfway through Owning Mahowny that nobody with a need so consuming – and suits so ill-fitting – is going to come within 50 miles of redemption.
Hoffman has cornered the market on playing timid, badly dressed, mouth-breathing sad sacks ... yet it's easy to forget that what gives his loser characters such singular life is their deep-down obsessional fervor.
It's Hoffman's character study that centers the film..., but failing any real interest in the investigative side of the story, it does tend to lag noticeably in midpoint.
The worst part of it is not losing his bets, it's that he has to pay off his debt before he can gamble again -- something like telling a bee it can't have pollen.
Who else could play the role of a guy both nasty and vulnerable like Philip Seymour Hoffman!
Entertaining and occasionally unsettling, but we never get under the skin of the protagonist, never learn what drives his addiction.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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