A soaring, tragic tale of transcendence and forgiveness that resonates long after the credits roll.
The Painted Veil (2006)
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Reviews Counted:140
Fresh:103
Rotten:37
Average Rating:7.1/10
Consensus: Visually, The Painted Veil has all the trappings of a stuffy period drama, but Norton's and Watts's deft portrayals of imperfect, complicated characters give the film a modern-day spark.
Rated: PG-13 [See Full Rating] for some mature sexual situations, partial nudity, disturbing images and brief drug content
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:Dec 20, 2006 Limited
Box Office: $7,932,205
Synopsis: The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite... The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite who must put herself in strange and turbulent surroundings before she finds her true self. A complex and beautiful international production, this adaptation benefits greatly from the lack of restrictions that inhibited its previous incarnations in 1925 (with Greta Garbo) and in 1957 (as THE SEVENTH SIN). After pressure from her wealthy parents to settle down, Kitty marries mild-mannered bacteriologist Walter (Edward Norton), despite her lack of love for him. Shortly after their vows, he takes her to Shanghai, where she immediately has an affair with Charles Townsend (Liev Shrieber), an English Vice Consul. Walter becomes aware of Kitty's indiscretion and promptly whisks her away to the mountain village of Mei-tan-fu, where they befriend another English expat, the secretly decadent Deputy Commissioner Waddington (Toby Jones, in an extremely likable performance). Walter begins working to hold an encroaching cholera epidemic at bay---leaving Kitty to ponder her role in the situation as death looms over the village like a specter. A labor of love that took the better part of a decade for producer Norton and screenwriter Ron Nyswaner, THE PAINTED VEIL is a large, complex, and visually sumptuous production that employed a primarily Chinese crew on its intense location shoots. Norton's passion for the material is on full display, as he turns in another solid performance. Watts, however, who portrayed another unfaithful wife in Curran's previous film WE DON'T LIVE HERE ANYMORE (2004), is the heart of the film, all bee-stung lips and sweat on porcelain skin. Romantic, escapist entertainment in the best sense, THE PAINTED VEIL is yet more proof that there is an endless pool of silver screen potential in the classics of literature. [More]
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg, Yu Xia, Lu Ying, Toby Jones
Director: John Curran
Director: John Curran
Screenwriter: Ron Nyswaner
Composer: Alexandre Desplat
Studio: Warner Independent
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Reviews for The Painted Veil
If The Painted Veil ultimately lacks some of the novelty and ambition of the year's best pictures, it still ranks as one of 2006's quiet gems.
It's really the Norton-Watts show, and they make The Painted Veil resonate with love and regret.
This time director John Curran digs just a little deeper and finds something remarkably human in the material.
The film comes together as a quirky but touching love story and a screen-filling spectacle that's balanced with both the hard-edge and exotic spiritual dimension W. Somerset Maugham would have admired.
Sturdy adult fare that works lush period locations and the subtle gifts of its talented actors to its advantage.
An intelligently crafted movie of dull tastefulness that brings nothing to the story that wasn't more artfully evoked in the novel.
The movie achieves a rare balance for an historical fiction: making use of the backdrop without allowing it to overwhelm the characters and their story.
Its strength lies in its patience -- and its slow, melting sorrow that hints at atonement.
Combine a strong-limbed narrative about marital frustration with a painstaking account of the British imperial presence in 1920s China.
There's something missing at the heart of the film, some spark, and it may be nothing more than a lack of chemistry between Norton and Watts.
This tale of strangers in a strange land has been fashioned as a poignant love story, with its buried passions forcefully breaking the surface as the film rounds the bend toward its satisfying conclusion.
A beautiful and very believable story, set in China in the 1920s, about the personal transformation of a married couple.
Feels like a Masterpiece Theatre production -- solid enough, but at the same time oddly generic.
Like a long-term relationship, The Painted Veil is well-intentioned and not particularly sexy, but understands duties of forgiveness, sacrifice, and commitment.
A lovely trifle not unlike other well-done bits of instantly-forgotten prestige.
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