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The Painted Veil (2006)
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Reviews Counted:140
Fresh:103
Rotten:37
Average Rating:7.1/10
Consensus: Visually, The Painted Veil has all the trappings of a stuffy period drama, but Norton's and Watts's deft portrayals of imperfect, complicated characters give the film a modern-day spark.
Rated: PG-13 [See Full Rating] for some mature sexual situations, partial nudity, disturbing images and brief drug content
Runtime: 2 hrs 5 mins
Genre: Dramas
Theatrical Release:Dec 20, 2006 Limited
Box Office: $7,932,205
Synopsis: The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite... The third film version of Somerset Maughm's 1925 novel--directed by John Curran--is ripe with stunning Chinese locales and a smart turn from Naomi Watts as Kitty Fane, the aging English socialite who must put herself in strange and turbulent surroundings before she finds her true self. A complex and beautiful international production, this adaptation benefits greatly from the lack of restrictions that inhibited its previous incarnations in 1925 (with Greta Garbo) and in 1957 (as THE SEVENTH SIN). After pressure from her wealthy parents to settle down, Kitty marries mild-mannered bacteriologist Walter (Edward Norton), despite her lack of love for him. Shortly after their vows, he takes her to Shanghai, where she immediately has an affair with Charles Townsend (Liev Shrieber), an English Vice Consul. Walter becomes aware of Kitty's indiscretion and promptly whisks her away to the mountain village of Mei-tan-fu, where they befriend another English expat, the secretly decadent Deputy Commissioner Waddington (Toby Jones, in an extremely likable performance). Walter begins working to hold an encroaching cholera epidemic at bay---leaving Kitty to ponder her role in the situation as death looms over the village like a specter. A labor of love that took the better part of a decade for producer Norton and screenwriter Ron Nyswaner, THE PAINTED VEIL is a large, complex, and visually sumptuous production that employed a primarily Chinese crew on its intense location shoots. Norton's passion for the material is on full display, as he turns in another solid performance. Watts, however, who portrayed another unfaithful wife in Curran's previous film WE DON'T LIVE HERE ANYMORE (2004), is the heart of the film, all bee-stung lips and sweat on porcelain skin. Romantic, escapist entertainment in the best sense, THE PAINTED VEIL is yet more proof that there is an endless pool of silver screen potential in the classics of literature. [More]
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg
Starring: Naomi Watts, Edward Norton, Liev Schreiber, Diana Rigg, Yu Xia, Lu Ying, Toby Jones
Director: John Curran
Director: John Curran
Screenwriter: Ron Nyswaner
Composer: Alexandre Desplat
Studio: Warner Independent
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Reviews for The Painted Veil
Overall this is a satisfyingly slow-burning romance, beautifully scored and acted.
The production values are characteristically sumptuous, William Daniels' photography is lustrous, and Boleslawski directs with suitable flair.
Handsomely crafted, with meticulous performances, yet it plays out drily and in monotone.
The Painted Veil is the type of old-fashioned period drama with rich, well defined characters that usually can’t find backing in today’s Hollywood.
Director John Curran ("We Don't Live Here Anymore") captures the profound beauty of China's lush countryside where his characters discover the true nature of their relationship.
John Curran has been inspired, in an epic way, to capture the extremes of romantic feeling in his adaptation.
A '20s period piece about tainted love set against a cholera epidemic in a remote Chinese village may sound about as romantic as Valentine's Day at T.G.I. Fridays spent over mozzarella sticks and separate checks, but we promise the pay-off is much better.
...a stuffed and mounted story of tortured romance that seems long out of date.
A movie for sophisticated adults...a sensitively nuanced story (with) exceptional performances by Norton and the gorgeous Watts with captivating cinematography and locale.
Watts and Norton are extraordinary actors, and in fine form here, but they never click together...
The film treats the conventions of 1925 with respect, without condescension or superiority (and, blessedly, without post-modern smugness).
An intelligently crafted movie of dull tastefulness that brings nothing to the story that wasn't more artfully evoked in the novel.
Why, ultimately, leave 1920s England to see a tragic romance between two Brits? Part this veil, and the atmosphere dissolves into a smokescreen, the backdrop revealed as a chasm between cultures.
Veil blends politics and romance only a bit less clumsily than The White Countess, another movie about pre-war China that came to grief.
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