Average Rating: 6.7/10
Reviews Counted: 32
Fresh: 28 | Rotten: 4
Fast and frenetic, The Paper captures the energy of the newsroom thanks to its cast and director on first-rate form.
Average Rating: 6.9/10
Critic Reviews: 8
Fresh: 7 | Rotten: 1
Fast and frenetic, The Paper captures the energy of the newsroom thanks to its cast and director on first-rate form.
liked it
Average Rating: 3.1/5
User Ratings: 6,653
Director Ron Howard's drama follows a beleaguered reporter during a hectic 24 hours at a New York City tabloid. Michael Keaton stars as Henry Hackett, a metro editor for the struggling New York Sun. Hackett is being wooed by the Sentinel, a more upscale paper, but he's addicted to the adrenaline-stimulating, breakneck pace of the Sun's newsroom, much to the consternation of his pregnant wife Martha (Marisa Tomei. Hackett is currently pursuing a story of two minority youths who have been arrested
Mar 18, 1994 Wide
Nov 1, 1998
MCA Universal Home Video
All Critics (35) | Top Critics (10) | Fresh (28) | Rotten (4)
The picture starts to fall in love with its subject -- head- over-heels in love, until the acid drains from the wit and there's nothing left but sentimental ooze.
It's all slick, fizzy fun. But the film's fighting spirit gets snatched.
Watching The Paper got me in touch all over again with how good it feels to work at the top of your form, on a story you believe in, on deadline.
Perfectly captures the hubbub of the nation's newsrooms.
Thanks to a caffeinated cast and hyperactive script, director Ron Howard delivers The Paper with a bang.
A crowd pleaser, and, regardless of any viewer's experience (or lack thereof) with the behind-the-scenes wrangling that goes on in newspaper offices, the story is affable and entertaining.
An overwrought, hysterical drama about the newspaper business that doesn't begin to compare to Hollywood's classics of the genre (The Front Page). The film has an absurdly frantic pace but it's so romantically naive and unsubtle that nothing registers
One of Ron Howard's most underrated films.
A great ensemble cast
Not a bad view of the inner-workings at a daily
Does it show how newspapers really work? Not really, but who cares? It is great fun, even if it is overdone.
Enjoyable, if utterly unrealistic look at journalism
Incisively depicts the ways in which busyness, speed and constant pressure violate our souls in the workplace.
Great ensemble comedy-drama about a New York Daily tabloid newspaper with Michael Keaton as an editor who has a few hours to get the scoop on a murder and stop cost-conscious managing editor Glenn Close from printing a sensationalistic cover that implies two innocent youngsters are guilty.
March 12, 2007
Super Reviewer
With this cast this should have been better.
September 27, 2007
Super Reviewer
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