Just when it looked like Van Sant was finally ready to present a movie real people might want to watch, Paranoid Park abandons universality and fetishizes the generality of skater boys.
Paranoid Park (2008)
Tomatometer
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Reviews Counted:109
Fresh:82
Rotten:27
Average Rating:6.8/10
Consensus: Director Gus Van Sant once again superbly captures the ins and outs of teenage life in Paranoid Park, a quietly devastating portrait of a young man living with guilt and anxiety.
Rated: R [See Full Rating] for some disturbing images, language and sexual content.
Runtime: 85 mins
Genre: Dramas
Theatrical Release:Mar 7, 2008 Limited
Box Office: $241,672
Synopsis: While Gus Van Sant's PARANOID PARK is in keeping with the atmospheric work of the films in his previous "death trilogy" (GERRY, ELEPHANT, LAST DAYS), this time around he's working from a more... While Gus Van Sant's PARANOID PARK is in keeping with the atmospheric work of the films in his previous "death trilogy" (GERRY, ELEPHANT, LAST DAYS), this time around he's working from a more conventional narrative to capture the awkwardness and pressures of adolescence. The result is a work of breathtakingly personal cinema--intimate, beautiful, and moving. Based on the novel by Blake Nelson, PARANOID PARK tells the troubled story of Alex (Gabe Nevins), a Portland high school student who loves to skateboard. But after accidentally causing the death of a security guard, Alex must come to terms with the guilty feelings that are threatening to overwhelm him. Unable to tell anyone what has happened, including his best friend, Jared (Jake Miller) and his nagging girlfriend, Jennifer (Tayler Momsen), he keeps it all inside at the risk of imploding with guilt. Van Sant is an impressionistic and deeply sensitive director. His decision to work with acclaimed cinematographer Christopher Doyle (FALLEN ANGELS, IN THE MOOD FOR LOVE) pays off immeasurably, as Doyle combines naturalistic full-frame 35mm with grainy super-8 to create a lush, moody atmosphere. As usual, Van Sant's sonic tastes are impeccable. He once again employs the music of Elliott Smith to great effect, contrasting Smith's heartbreaking songs with slow-motion imagery, further establishing a sense of confusion and loss. The cast, all recruited from the social networking website MySpace, are more than serviceable, yet it is Nevins who steals the show. His Alex is a likeable figure to whom the audience can relate, further personalizing an already intimate tale. PARANOID PARK is a gorgeous, unforgettable tone poem that captures the myriad complexities of teenage life. [More]
Starring: Gabe Nevins, Taylor Momsen, Jake Miller, Dan Liu
Starring: Gabe Nevins, Taylor Momsen, Jake Miller, Dan Liu, Lauren McKinney, Scott Green
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Gus Van Sant
Producer: Marin Karmitz, Nathanael Karmitz
Studio: IFC Films
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Reviews for Paranoid Park
There are certain times in a filmmaker's career when everything comes together in a kind of perfect storm ... For Gus Van Sant, Paranoid Park is that film.
The third, most technically accomplished panel in a youth trilogy that began with Elephant and continued with Last Days, finds Van Sant, American cinema's most dedicated chronicler of disaffected youths, in top form.
The film is told in bursts of flashback, flash forward and even flash sideways all framed in a dream-world sense. The slow-motion theatrics of skater tricks are particularly beautiful and almost a flight from the reality of the cruel teen years.
Van Sant's ... adoration of uncommunicative kids with limited vocabularies and awesome hair is beginning to wear a little thin.
Regarding Paranoid Park as an elongated short rather than a feature helps a bit, because it's a miniature in spirit -- a small-format portrait of psychic malaise that just happens to last 84 minutes.
This isn't mallrat Crime and Punishment; it's Accident and Inertia, structured by Alex's attempt to capture his feelings in a journal.(He's more verbose than introspective.)
Van Sant wants his brief, deadpan, underpopulated scenes to feel more like real teen existence than the clichés of mainstream cinema. It's a worthy goal, but I'm afraid the actual effect is the opposite.
Even something as modest as Paranoid Park manages to reflect Van Sant's greatest strengths as an artist: his seemingly limitless fluency with his chosen medium and his willingness to tell even the oldest stories in bold new ways.
Filming in his characteristically dreamy, dislocated fashion, Van Sant seems as interested in the innocently beautiful face of his young star as he is in the docu-style story-telling.
As fragmented and disordered as the writings in Alex's notebook, Paranoid Park is a moody, somewhat otherworldly study of the confusion, alienation and furtive secrecy of adolescence
I would say that there is a really good 50 minute movie tucked away inside here, but Van Sant insists on padding it with material that doesn't belong.
If you are planning to shoot a visual poem, there is no one better to have on hand than cinematographer Christopher Doyle. Doyle knows how to find seduction and romance anywhere.
Paranoid Park confirms that Gus Van Sant is so far up his own artistic anus, it's impossible to take anything he makes seriously anymore...a crisp, white hanky doused with cinematic chloroform pressed tightly across the face.
Stands at the midway point in its auteur's recent filmography, displaying both the strengths and weaknesses of his recent stylistic choices.
Youth and death meet again in Gus Van Sant’s Paranoid Park, a gorgeously stark, mesmerizingly elliptical story told in the same lyrical-prosaic style that has characterized his latest films.
Latest News for Paranoid Park
December 14, 2008:
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The hardware won't be handed out until February 8, but the winners of this year's Boston Society of Film Critics Awards have been announced -- and they're all listed right here. More...
April 07, 2008:
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In the past few weeks, I'm seeing skaters with a new glow in my eyes - a kind of sparkle of the special - as they slalom down Sunset sidewalks, click-clacking over cracks and... More...
March 06, 2008:
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January 26, 2008:
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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