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The Passion of Anna (1969)
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Reviews Counted:11
Fresh:11
Rotten:0
Average Rating:8.2/10
Runtime: 1 hr 41 mins
Genre: Foreign Films
Synopsis: Shot in striking, diffused color by master cinematographer Sven Nykvist, THE PASSION OF ANNA is one of several Ingmar Bergman films of the 1960s dealing with a limited number of characters in an... Shot in striking, diffused color by master cinematographer Sven Nykvist, THE PASSION OF ANNA is one of several Ingmar Bergman films of the 1960s dealing with a limited number of characters in an isolated setting--filming took place on the remote island of Fårö, where Bergman was living at the time--whose emotional and psychological imbalances eventually lead to a crisis. Max von Sydow plays Andreas, a loner who (after an initial chance encounter) becomes acquainted with the crippled widow Anna (Liv Ullmann) through their mutual friends Eva and Elis Vergerus (played by Bibi Andersson and Erland Josephson), a troubled married couple. Andreas and Anna embark on a love affair but are soon confronted with disturbing revelations about each other's pasts. Their relationship suffers irreparable damage through mutual deception, insecurities, and violent outbreaks. Meanwhile, the atmosphere of malaise and menace surrounding the characters is heightened by the presence of an unknown perpetrator on the sparsely populated island who has been brutally torturing and killing farm animals. Bergman and Nykvist's technical mastery is evident throughout the film, especially in the closing shot, which has been referred to as one of the most extraordinary and innovative in modern cinema. [More]
Starring: Liv Ullmann, Bibi Andersson, Max Von Sydow, Erland Josephson
Starring: Liv Ullmann, Bibi Andersson, Max Von Sydow, Erland Josephson, Erik Hell
Director: Ingmar Bergman
Director: Ingmar Bergman
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Reviews for The Passion of Anna
The Passion of Anna employs some interesting techniques, such as interviews with each of the four main actors and also sheds some light on many of the baroque mannerisms and symbols that have come to be associated with Bergman.
A tentative, plotless film that pulses with the rhythms of life rather than the rhythms of drama.
The “passion” of the film’s title is not a physical suffering, like Christ’s at Golgotha, but an emotional one, an exposing of oneself to the world for the sake of love.
Um filme de erros e acertos: o plano final, por exemplo, é brilhante; em contrapartida, as entrevistas com os atores durante a projeção acabam soando apenas pretensiosas.
While it lacks the lightness of touch and smooth flow that distinguishes Bergman at his finest, this is still a powerful, profound work of art.
The Passion of Anna is one of Bergman's most beautiful films (it is his second in color), all tawny, wintry grays and browns, deep blacks, and dark greens, highlighted occasionally by splashes of red, sometimes blood.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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