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Movies / On DVD / Pavilion of Women
Pavilion of Women

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Pavilion of Women (2001)

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Reviews Counted:32

Fresh:2

Rotten:30

Average Rating:3.1/10

Consensus: Generating more suds than a soap opera, this adaptation of Pearl Buck's novel sinks under the weight of excess melodrama, stilted performances, and cheesy dialogue.

Rated: R [See Full Rating] for sexuality and war images

Runtime: 1 hr 56 mins

Genre: Dramas

Theatrical Release:May 4, 2001 Limited

Synopsis: Based on the acclaimed novel by Nobel Prize winning author Pearl S. Buck, Pavilion of Women is an exquisite tale of freedom and forbidden love set in the last days of imperial China. On her... Based on the acclaimed novel by Nobel Prize winning author Pearl S. Buck, Pavilion of Women is an exquisite tale of freedom and forbidden love set in the last days of imperial China.

On her fortieth birthday, Madame Wu carries out a decision she has been planning for a long time: she tells her husband that after twenty-four years their physical life together is now over and she wishes him to take a concubine as a second wife. The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take here place in bed.

Elegant and detached, Madame Wu orchestrated this change as she manages everything in the extended household of more than sixty relatives and servants. Madame Wu relishes her new found sense of freedom and begins taking lessons with her son, learning English from the "foreigner," a free-thinking priest named Brother Andre. In the process Brother Andre falls in love with Madame Wu. -- © 2001 Universal Focus [More]

Starring: Luo Yan, Willem Dafoe, Shek Sau, John Cho

Starring: Luo Yan, Willem Dafoe, Shek Sau, John Cho, Yi Ding, Koh Chieng Mun, Anita Loo

Director: Yim Ho

Director: Yim Ho
Screenwriter: Paul R. Collins, Yim Ho
Composer: Conrad Pope
Studio: Universal Focus

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Release:

Jan 15, 2002

No Details Exist
 
 

Reviews for Pavilion of Women

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1 - 20 (sorted by date)
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The only importance anyone is likely to associate with this overblown melodrama is self-importance.

Full Review Source: Film Threat | comment Comment
12/06/05
Michael Dequina
Michael Dequina
Film Threat

No review available.

comment Comment
10/06/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

The only importance anyone is likely to associate with this overblown melodrama is self-importance.

Full Review Source: TheMovieReport.com | comment Comment
09/17/05
Michael Dequina
Michael Dequina
TheMovieReport.com

Melancholy and plodding.

Full Review Source: Filmcritic.com | comment Comment
05/17/02
Christopher Null
Christopher Null
Filmcritic.com

You have to wonder why this film has been targeted at American audiences at all.

Full Review Source: Apollo Guide | comment Comment
02/08/02
Janet Branagan
Janet Branagan
Apollo Guide

In many ways, this is the East Asian equivalent of the old Europudding productions, where international players have created something that's more cacaphonous than melodious.

Full Review Source: Variety | comment Comment
06/11/01
Robert Koehler
Robert Koehler
Variety
Top Critic Icon Top Critic

Suffers from predictable plotting that occasionally heats to a soap-opera boil.

Full Review Source: Journal News (Westchester, NY) | comment Comment
05/23/01
Marshall Fine
Marshall Fine
Journal News (Westchester, NY)

The backdrop of exotic pagodas and wartime woe isn't nearly potent enough to buoy the feeble drama that plays out in the foreground.

Full Review Source: Mr. Showbiz | comment Comment
05/17/01
Kevin Maynard
Kevin Maynard
Mr. Showbiz
Top Critic Icon Top Critic

Even with the brilliant, Oscar-nominated Willem DaFoe in its cast, this movie amounts to nothing more than a waste of two hours.

Full Review Source: Combustible Celluloid | comment Comment
05/11/01
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Despite solid performances and handsome production values, the picture ultimately feels like secondhand goods that have been refurbished for North American consumption.

Full Review Source: Hollywood Reporter | comment Comment
05/11/01
Michael Rechtshaffen
Michael Rechtshaffen
Hollywood Reporter
Top Critic Icon Top Critic

An instant antique.

Full Review Source: Washington Post | comment Comment
05/04/01
Mark Jenkins
Mark Jenkins
Washington Post
Top Critic Icon Top Critic

Suggests a sudsy version of The King and I without forceful personalities or fancy production numbers.

Full Review Source: Washington Post | comment Comment
05/04/01
Rita Kempley
Rita Kempley
Washington Post
Top Critic Icon Top Critic

Gets bogged down in enough 'event' to choke a miniseries.

Full Review Source: USA Today | comment Comment
05/04/01
Mike Clark
Mike Clark
USA Today
Top Critic Icon Top Critic

A whole lot of bombast and phony exaltation in the name of entertaining enrichment.

Full Review Source: San Francisco Chronicle | comment Comment
05/04/01
Wesley Morris
Wesley Morris
San Francisco Chronicle
Top Critic Icon Top Critic

Viewers have to wade through many embarrassing moments (and performances).

Full Review Source: Reel.com | comment Comment
05/04/01
Rod Armstrong
Rod Armstrong
Reel.com

All the peripheral drama in the world can't generate interest in a film with so little sense of melodramatic proportion.

Full Review Source: Newsday | comment Comment
05/04/01
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

Its clumsiness turns it, against its best intentions, into half-baked operatic kitsch.

Full Review Source: New York Times | comment Comment
05/04/01
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Loaded with ... scenery-chewing melodrama, cornball pidgin dialogue and syrupy music.

Full Review Source: New York Post | comment Comment
05/04/01
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

Plays as little more than a dated potboiler for all its backdrop of impending chaos and wrenching change.

Full Review Source: Los Angeles Times | comment Comment
05/04/01
Kevin Thomas
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

It's stiff and soggy at the same time, and Dafoe's priest-as-Superman performance is unintentionally funny.

Full Review Source: IFilm | comment Comment
05/04/01
Dave White
Dave White
IFilm
 
 
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