The only importance anyone is likely to associate with this overblown melodrama is self-importance.
Pavilion of Women (2001)
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Reviews Counted:32
Fresh:2
Rotten:30
Average Rating:3.1/10
Consensus: Generating more suds than a soap opera, this adaptation of Pearl Buck's novel sinks under the weight of excess melodrama, stilted performances, and cheesy dialogue.
Theatrical Release:May 4, 2001 Limited
Synopsis:
Based on the acclaimed novel by Nobel Prize winning author Pearl S. Buck, Pavilion of Women is an exquisite tale of freedom and forbidden love set in the last days of imperial China.
On her...
Based on the acclaimed novel by Nobel Prize winning author Pearl S. Buck, Pavilion of Women is an exquisite tale of freedom and forbidden love set in the last days of imperial China.
On her fortieth birthday, Madame Wu carries out a decision she has been planning for a long time: she tells her husband that after twenty-four years their physical life together is now over and she wishes him to take a concubine as a second wife. The House of Wu, one of the oldest and most revered in China, is thrown into an uproar by her decision, but Madame Wu will not be dissuaded and arranges for a young country girl to come take here place in bed.
Elegant and detached, Madame Wu orchestrated this change as she manages everything in the extended household of more than sixty relatives and servants. Madame Wu relishes her new found sense of freedom and begins taking lessons with her son, learning English from the "foreigner," a free-thinking priest named Brother Andre. In the process Brother Andre falls in love with Madame Wu. -- © 2001 Universal Focus
Starring: Luo Yan, Willem Dafoe, Shek Sau, John Cho
Starring: Luo Yan, Willem Dafoe, Shek Sau, John Cho, Yi Ding, Koh Chieng Mun, Anita Loo
Director: Yim Ho
Director: Yim Ho
Screenwriter: Paul R. Collins, Yim Ho
Composer: Conrad Pope
Studio: Universal Focus
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Reviews for Pavilion of Women
The only importance anyone is likely to associate with this overblown melodrama is self-importance.
You have to wonder why this film has been targeted at American audiences at all.
In many ways, this is the East Asian equivalent of the old Europudding productions, where international players have created something that's more cacaphonous than melodious.
Suffers from predictable plotting that occasionally heats to a soap-opera boil.
The backdrop of exotic pagodas and wartime woe isn't nearly potent enough to buoy the feeble drama that plays out in the foreground.
Even with the brilliant, Oscar-nominated Willem DaFoe in its cast, this movie amounts to nothing more than a waste of two hours.
Despite solid performances and handsome production values, the picture ultimately feels like secondhand goods that have been refurbished for North American consumption.
Suggests a sudsy version of The King and I without forceful personalities or fancy production numbers.
A whole lot of bombast and phony exaltation in the name of entertaining enrichment.
Viewers have to wade through many embarrassing moments (and performances).
All the peripheral drama in the world can't generate interest in a film with so little sense of melodramatic proportion.
Its clumsiness turns it, against its best intentions, into half-baked operatic kitsch.
Loaded with ... scenery-chewing melodrama, cornball pidgin dialogue and syrupy music.
Plays as little more than a dated potboiler for all its backdrop of impending chaos and wrenching change.
It's stiff and soggy at the same time, and Dafoe's priest-as-Superman performance is unintentionally funny.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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