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Peeping Tom (1960)
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Reviews Counted: 30
Fresh: 28
Rotten:2
Average Rating: 8.2/10
Consensus: Peeping Tom is a chilling, methodical look at the psychology of a killer, and a classic work of voyeuristic cinema.
Runtime: 1 hr 41 mins
Genre: Horror/Suspense
Synopsis: Michael Powell directed this groundbreaking study in voyeurism, cinema, and obsession. When Mark was a child, his father, a highly esteemed professor, used him as a form of laboratory rat in a... Michael Powell directed this groundbreaking study in voyeurism, cinema, and obsession. When Mark was a child, his father, a highly esteemed professor, used him as a form of laboratory rat in a series of experiments that tested various levels of fear. As an adult, Mark too maintains a fascination with terror, having matured into a psychopathic killer with a penchant for filming women on the verge of death. Since he works as a cameraman for a film studio, he easily indulges his fetish by luring aspiring actresses into isolated areas for "screen tests." But then Mark meets Helen, a neighbor who wishes to become his friend... and the tormented murderer's downfall begins. [More]
Starring: Carl Boehm, Moira Shearer, Anna Massey, Maxine Audley
Starring: Carl Boehm, Moira Shearer, Anna Massey, Maxine Audley, Michael Powell
Director: Michael Powell
Director: Michael Powell
Producer: Michael Powell
Story: Leo Marks
Screenwriter: Leo Marks
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Reviews for Peeping Tom
Stripped of its color and some excellent photography plus imaginative direction by Michael Powell, the plot itself would have emerged as a shoddy yarn.
It's an understanding and at times even celebratory film -- attitudes that scandalized critics years ago and are still pretty potent today.
A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour.
there’s a constantly gorgeous surface – a handsome hero, lots of bright Technicolor – and a constant moral rot at play underneath
Peeping Tom's rediscovery, I fear, tells us more about fads in film criticism than it does about art.
Though it effectively ended Mr. Powell's career, Peeping Tom is now considered a once-forbidden classic, an audacious act of self-cannibalization in which cinema itself is a lethal weapon.
This abundantly creepy, and always controversial, British movie never goes out of style.
No film, simply, more rightly depicts the psychology of helming a camera, fashioning scenario, and filming it. Directors are alchemists, and characters are pawns to exercise their every temptation, impulse, motivation, fear, or sin.
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