As far as Hollywood thrillers go, Perfect Stranger starts well with an interesting melee of characters and seductive close ups of the shapely Miss Berry. As Berry's Ro gets close and personal with Bruce Willis' ad-man Harrison Hill, the script turns feral
Perfect Stranger (2007)
Tomatometer
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Reviews Counted:138
Fresh:15
Rotten:123
Average Rating:3.5/10
Consensus: Despite the presence of Halle Berry and Bruce Willis, Perfect Stranger is too convoluted to work, and features a twist ending that's irritating and superfluous. It's a techno-thriller without thrills.
Rated: R [See Full Rating] for sexual content, nudity, some disturbing violent images and language.
Runtime: 1 hr 49 mins
Genre: Thriller, Murder, Reporters, Theatrical Release, Dating, Internet
Theatrical Release:Apr 13, 2007 Wide
Box Office: $23,705,592
Synopsis: Ace New York Courier reporter Rowena Price (Halle Berry) will do anything to get her story---even if it verges on the unethical. After her plans to out a U.S. senator's homosexual relationship with... Ace New York Courier reporter Rowena Price (Halle Berry) will do anything to get her story---even if it verges on the unethical. After her plans to out a U.S. senator's homosexual relationship with an intern are thwarted, Price's next chance at a big scoop falls right into her lap. When her friend Grace (Nicky Lynn Aycox) is found murdered, the main suspect is revealed to be Harrison Hill (Bruce Willis), a philandering high-powered ad exec with a very jealous wife. With some help from her right-hand tech guru, Miles (Giovanni Ribisi), Rowena goes undercover as a temp at Hill's agency, where her own good looks are bound to draw Hill closer to her, taking her to the facts behind Grace's murder. No simple plot description can truly explain James Foley's (AT CLOSE RANGE) twisty, tech-y thriller. It begins with a false setup, takes a whole other route, and makes a series of bizarre 11th hour revelations that not even the most seasoned viewer will be able to predict. The always watchable Berry makes us root for a character whose methods aren't always the most scrupulous, and Giovanni Ribisi does a lot with the "sidekick" role. Anastas Michos's cinematography gives Manhattan a slightly sinister glow of cool blue, appropriate to this tale in which nothing is what it seems, and trusting in someone is sure to cause regret---or worse. PERFECT STRANGER may occasionally defy logic, but that is not likely to deter those hungering for a handsomely made, star-fueled studio film with plenty of surprises. [More]
Starring: Halle Berry, Bruce Willis, Giovanni Ribisi, Gary Dourdan
Starring: Halle Berry, Bruce Willis, Giovanni Ribisi, Gary Dourdan, Patti D'Arbanville, Clea Lewis, Richard Portnow
Director: James Foley
Director: James Foley
Screenwriter: Todd Komarnicki, Jon Bokenkamp
Producer: Elaine Goldsmith-Thomas
Composer: Antonio Pinto
Studio: Revolution Studios
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Release:
Aug 21, 2007
Reviews for Perfect Stranger
Screenwriters Todd Komarnicki and Jon Bokenkamp provide a script with enough foreseeable twists and turns that, if it were an actual road, a blind person wouldn't have any difficulty handling it.
Hear ye, hear ye. Films don't always have to be revolutionary slice-of-life cinematic art. Sometimes they can just be cheesy, nonsensical fun. Like Perfect Stranger.
Even when the plot spins its wheels while waiting to reveal itself, there's still plenty of atmosphere and a fairly decent performance from Berry.
Its shiny plastic glamour serves to endorse the very phoniness it ought to be warning us about.
Reportedly, several endings were filmed; perhaps some of them make more sense than this one.
People with access to vital information just show up when the movie needs them, then vanish again.
For those who are interested in Berry as both an actress and screen presence, this is one of the most satisfying films she has ever made. It capitalizes on her strengths and she owns the picture, from start to finish.
The only reason this movie might not win any Razzies next year is because no one will remember it even came out.
Willis and Berry's joint star power makes their exchanges at least moderately interesting. But their characters' supposed banter never reaches wittiness, and the cat-and-mouse angle is too mild.
That's right, it's a techno thriller that treats the already clichéd topic of Web abuse with an idiotic sense of discovery.
More silly than suspenseful, this sleekly produced, high gloss piece of trash isn't quite in the so-bad-it's-good category of schlock films, but it comes mighty close, thanks to a gonzo twist of an ending.
There's a good thriller to be made one day about the way the Internet both reveals and disguises its users, but this isn't it.
The weak mystery story massages you into indifference, then tries to clock you with one fungo bat of a loopy twist that leaves you questioning not reality, but why you just spent 109 minutes trying to give a darn.
Layered with improbable plot twists and hypocritical commentary, the movie is lurid and outdated when it wants to be hip and provocative.
Nothing can quite top the climax, which arbitrarily assigns a culprit in a way that makes you question almost every single thing that's transpired up to that point. And no, that's not a good thing in this case.
Evincing a style that might best be described as deliciously retarded, it's sort of like discovering that an old friend has placed you on a spam mailing list.
People peek through windows, hack into computers and sneak into apartments without the slightest hesitation. We're guilty of voyeurism, too, since the primary pleasure to be found is in seeing three confident leads play off each other.
What's really irritating about Perfect Stranger is not how bad it is, but how close it came to being good.
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August 19, 2007:
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