It ventures so fearlessly down one limited, terrifying, seductive dead end, and finds there a solution both sublime and horrifying. It took imagination to tell it, courage to film it, thought to act it, and from the audience it requires a brave curiosity.
Perfume: The Story of a Murderer (2006)
Tomatometer
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Reviews Counted:121
Fresh:69
Rotten:52
Average Rating:6.2/10
Consensus: Perfume is what you'd expect from a Tom Twyker-directed movie glamorizing a serial killer: a kinetic visual feast, with a dark antihero that's impossible to feel sympathy for.
Rated: R [See Full Rating] for aberrant behavior involving nudity, violence, sexuality, and disturbing images.
Runtime: 2 hrs 27 mins
Genre: Dramas
Theatrical Release:Dec 27, 2006 Limited
Box Office: $2,101,584
Synopsis: Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this... Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this production helmed by Tom Tykwer (RUN LOLA RUN). The film stays remarkably faithful to the author's vision, perfectly summoning up the brooding ominousness of small-town life in 18th-century France, and getting the casting of its central character, Jean-Baptiste Grenouille (Ben Whishaw), exactly right. Grenouille is an orphan whose sense of smell is extraordinarily acute. He impresses master perfumer Baldini (Dustin Hoffman) enough to work for him, and this sets Grenouille off on an epic quest to find the perfect scent. When he discovers that killing young women and bottling their essence is the only way he can achieve his dream, Grenouille is soon a wanted man with multiple murders to his name. However, when it comes to making one last kill--namely the attractive redhead Laura (Rachel Hurd-Wood)--the young perfumer may have met his match in her overprotective father, Richis (Alan Rickman). Tykwer's film is an impressive achievement, not least because the subject of scent and the cinematic medium were always going to make uneasy bedfellows. Couple that with the weight of expectation caused by the millions of readers who have delighted in Suskind's words, and it needed a brave director to take on such a project. Whishaw is a revelation in his first major screen appearance, and Tykwer made a wise choice in bringing in some older heads (Rickman, Hoffman) to support the younger actor. Visually, the film is stunning, and cinematographer Frank Griebe clearly worked hard to bring Suskind and Tykwer's visions to life. But ultimately this is an ensemble piece, with cast and crew all pulling together to create a film that simmers with a hushed menace throughout. [More]
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Director: Tom Tykwer
Producer: Bernd Eichinger
Composer: Reinhold Heil, Johnny Klimek
Director: Tom Tykwer
Studio: DreamWorks Distribution LLC
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Reviews for Perfume: The Story of a Murderer
As much as it's in many ways a visual pleasure, tonally, the movie is a mess.
Grenouille's obsession is, in the end, much like that of the less ornately literary killers who precede him, producing desperately conventional spectacles of dead girls.
Perfume is a challenging motion picture, and one whose impressions are not easily shaken.
Try as it might to be refined and provocative, Tom Tykwer's Perfume never rises above the pedestrian creepiness of its conceit.
Una tremenda experiencia sensorial, una cinta que dejará maravillados a los fans del libro, y a quienes, virginalmente, se enfrenten por vez primera a los toques aromáticos de esta mágica historia.
Lush visuals and lusty, rhapsodic language bring Perfume as close as cinematically possible to capturing an elusive sense.
It is Tykwer's particular cinematic gift that he can recreate the inner universe that his characters inhabit to such an extent that said subjective universe seems, if not normal, somehow perversely seductive
A memorable and outrageous movie, but one more likely to be remembered as a massive folly than a whopping success.
Keeps the essence which made the novel such a scabrous, compelling read ... even in January, this deliriously loopy black comedy just may be the film of the year.
Succeeds reasonably well in achieving what many said was beyond the scope of cinema: conveying the world of scent and smell.
For all of its eye-rolling improbability, the picture does build to an incredible and incredibly staged final meditation on the nature of genius, identity and worship in both its personal and public manifestations.
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